A Quote by Sara Sheridan

Scottish writers are particularly successful in the crime genre. — © Sara Sheridan
Scottish writers are particularly successful in the crime genre.
I'm not particularly ethnically Scottish; I have one grandfather who is Scottish, although he's called Macdonald, and you don't get a lot more Scottish than that. The Scottish part of my family are from Skye, and I've always been very aware of that - always been very attracted to Scottish subject matter, I guess.
I grew up reading genre writers, and to the degree that Eric Ambler and Graham Greene are genre writers, I'm a genre writer.
I'm always interested in what classic crime writers got into when they stepped away from the genre stuff they were known for. That's why 'Mildred Pierce' is like noir without any real crime.
I know a lot of crime writers feel very underrated, like they're not taken seriously, and they want to be just thought of as writers rather than ghettoised as crime writers, but I love being thought of firmly as a crime writer.
I wanted to look like the most diverse writer in comics! Spy genre, space genre, crime genre, and then you realize that it's all actually the same thing.
I think I'm part of a generation of crime writers all of whom woke up independently and recoiled with horror at the fact that we'd chosen this very conservative genre.
I don't think of myself particularly as a Scottish director, but you are what you are because the first ten years of your life, and where you spend them, brand you. In that sense, I'll always be a Scottish director.
True crime has long been a passion for me, but I'm also a sucker for biographies, particularly of politicians, writers, or Hollywood icons.
suicide is a crime - the only crime that, if successful, guarantees that the perpetrator will not be punished for it. This makes it the most serious crime of all.
Bookstores never seem to know where to put me on the shelves. But I do. I love my genre and I love those writers, so I am happy to be considered a crime writer. That's what I consider myself.
And the truth is that if a writer is successful, you gain readers. It benefits all the writers. It's important for all the writers that as many of us as possible be successful.
We must be particularly careful when we enact policies in response to a specific crime, a specific type of crime, or crime wave simply by increasing punishments.
I have lots of Scottish blood and know that my family name is Scottish. At my home in the States I have a tartan crest but, unfortunately, I do a terrible Scottish accent.
My influence is probably more from American crime writers than any Europeans. And I hardly read any Scandinavian crime before I started writing myself. I wasn't a great crime reader to begin with.
Writing books that people want to read is helpful - my most successful book is my only police procedural, a very popular subgenre of the very popular crime fiction genre.
We haven't had crime writers, and for a long time in the Republic, we didn't seem to have a crime problem as such.
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