A Quote by Sara Zarr

There's a lot that is awful. That's the struggle of getting old. To make sure you don't let what's hard...obscure the beauty. — © Sara Zarr
There's a lot that is awful. That's the struggle of getting old. To make sure you don't let what's hard...obscure the beauty.
Humans should always exercise and watch what they eat. So with your pet, make sure they get enough exercise, make sure they're getting fed at the same time every day and getting the nutrition they need. And make sure they get a lot of love and attention you both need. That's why you have them!
I think I'm getting there, but it's very hard to perform at my absolute peak when an awful lot of people come just to make their presence known, when the lights go down and all you can hear is people screaming.
There are an awful lot of bands out there doing our old act. An awful lot of fake moustaches and underwhelming performances.
The idea of getting old is horrific, but I don't want to make it worse by becoming a grotesque caricature. A lot of people have made that mistake of trying so hard to hang on to their looks that they make themselves look really scary.
I see it as one of my jobs to make sure that, it sounds ridiculous, but to make sure the folks are eating, make sure folks are getting enough fluids, make sure folks are, you know, comfortable in the orbiter.
I'm not a big one on - I don't know what to call it - getting all glamorous. I don't really worry about my looks, and I don't worry about getting old. Exterior beauty doesn't mean a lot to me.
We've got great potential in our country and the only way we're going to make sure kids are getting the degrees that they need, make sure we're getting through that red tape, is by working together.
The process of getting into Miranda mode is simply making sure I'm as gross as possible. I make sure I'm wearing funky clothes and a lot of lipstick, and I'm good to go.
Someone once said that you can make the choice between getting old and getting creepy, and I think getting old is the way to go.
I read an awful lot in college - a lot of Dickens, a lot of 19th century American stuff, a lot of old mysteries. Maybe it's helped me attain a certain fluidity with my style.
Sometimes, even when I'm writing the lyrics, I'm not sure what I'm getting at, but then months will pass and I'll listen to it and I'll understand it completely. I think I trust myself in that most of what comes out of me will be honest. Even if it seems like it doesn't make a lot of sense, I realize that it does. It's hard to follow, and maybe there's a lot of subtext to it that nobody knows, so it makes it impossible to follow.
I wanted to make sure the focus [in The Land] was on human beings themselves and their decisions, but still connected to the urban environment that people associate as being black. I think I was able to make a film without commenting on "black this or black that" and you still feel the presence of it. There's no one character who's saying "we're all black and we're all in this struggle." It's that you just feel it. Some of that is because we get the sense from a lot of independent films that black people struggle all the time.
If you're about to get a tat, make sure you're 110% sure it's what you want. If you're getting it in a different language make sure it is exactly what you want it to be because there is no going back.
There's so much pressure on kids to perform and to be the best they can be, and particularly with boys: boys who are the gifted ones get loaded with an awful lot of expectation and self-expectation, and that's really hard for an 18 year old.
I have played a lot games, worked with a lot of these players and learnt an awful lot. I've got the knowledge and leadership qualities. So, its normal that under these circumstances that I got into coaching. I'm learning an awful lot.
At 50 you now have realized ?Getting old isn't fair? And that it's hard to make a comeback ?When you haven't gone anywhere
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