A Quote by Sara Zarr
I don't like to do too much psychological research because it might turn a character into a patchwork.
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Sometimes if I stick in a character too much I feel like I might start to get blinkered, because I'm making my decisions too definite.
You do research into specific occupations of the character, with specific behaviorisms that their daily life might give them. You do as much research as you want, as you can. Now that you have such open access to the Internet, it's very easy to do so.
I think that if you get too close to the character, if you do too much historical research, you may find yourself defending your view of a character against the author's view, and I think that's terribly dangerous.
There's not much value to us attacking Chinese systems. We might take a few computers offline. We might take a factory offline. We might steal secrets from a university research programs, and even something high-tech. But how much more does the United States spend on research and development than China does?
You spend so much time developing a character when you do a film; so much of your work is done before you get set to shoot because you've been working on the character: the way he walks, the way he talks, what might upset him, what might make him happy.
Economists are said to disagree too much but in ways that are too much alike: If eight sleep in the same bed, you can be sure that, like Eskimos, when they turn over, they'll all turn over together.
It's interesting what happens when you take on a role, I think. What happens to me - without sounding too spiritual or too hippy, I guess - what happens, most of the time, you do a lot of research, and you get into the character, and at a certain moment, it's like the character takes over.
Any sort of role requires a certain amount of research and embodiment of the character and psychological investigation.
The character I've created, Christine, is mainly the first attempt for me to escape all the secret injunctions we have as girls all the time. Like, be pretty but be polite. Don't take too much space. All those things that didn't mean anything to me. I just decided to turn them around with my character.
Every now and then, I might listen to music, but I try not to listen to it too much because when you turn on the radio and hear the same song over and over again. You won't appreciate it as much; it won't be as fresh.
I didn't have to do too much "research" or acting to play this guy. (laughs) It is actually very difficult to manage all the time. The Community schedule is crushing and it kills me because I don't get to be with my family as much as I'd like.
If you turn on the television, you'll find the mothers of the most obvious criminals that man could ever diagnose, and they all think their sons are innocent. That's simple psychological denial. The reality is too painful to bear, so you just distort it until it's bearable. We all do that to some extent, and it's a common psychological misjudgment that causes terrible problems.
I try to do as much as possible for every character. Some of them, it is easier to do the research because you have either real examples that you work with, maybe some specific person that inspires you in that case, or the performances from other people, or the characters, or a character from a book.
It's much better to write a book and stick to the research - that's history. In cinema, emotional truth and psychological truth is much more important.
There is psychological pleasure in this takeoff, too, for the swiftness of the plane’s ascent is an exemplary symbol of transformation. The display of power can inspire us to imagine analogous, decisive shifts in our own lives, to imagine that we, too, might one day surge above much that now looms over us.” P. 38-39
I research the role, and if it's a literary character, I read the book, and if it's an historical figure, I research documents and biographies. If it's a fictional character, I work off the script.
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