A Quote by Sara Zarr
Is it good, bad, or neutral to recognize thematic patterns in your own work? When it comes to recurring themes, I'm of the mind that knowledge is probably not power, at least in terms of the work.
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An artist who lacks the power of self-criticism accomplishes but little. It is good if your work stands higher than your own opinion of it; bad if it is on the same level. But it is a great disaster if your work stands lower than your judgment of it.
When you celebrate somebody's bad work on the terms that define their good work, how can that artist have anything but contempt for an audience that can't tell the good from the bad?
Sometimes we see things as being black or white. Perhaps you have two categories of coworkers in your mind - the good ones and the bad ones. Or, maybe you look at each project as either a success or a failure. Recognize the shades of gray, rather than putting things in terms of all good or all bad.
Work doesn't have to be great in order to dignify it as work. Work just is. It's quite value-neutral. The issue is about what kinds of power and control you have at work as a human being. That's the commonality. It's not necessarily what the task is.
Change, even if unwelcome, forces us to reevaluate what our best options are. Those times of transitions are great opportunities to look for recurring patterns in your life and make adjustments to build on the good and reduce the bad.
We write in ways that, we generally hope, reflect real life, or at least look familiar to humans. And in life, recurring themes are a recurring theme. We never quite conquer a pet vice or a relationship pattern or a communication habit. We're haunted by our particular demons.
I've figured out the secret. Your mind is your power; you have to work with your mind and work with your own thoughts about your own life. If you spend so much time thinking, "This industry is male-dominated. It's sexist. It's this. It's that," then that's what the picture will always be. I remember when I was coming up, I didn't have those thoughts. My mom told me I could be whatever I wanted to be and I could be as bright of a star as I was meant to be. So, that's where I put all of my focus and my thought...into what I could do. And I carry that with me now.
It's really important to find a humble approach to your own creative work, your own business work. To recognize that you can't do everything yourself.
I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.
You make good work by (among other things) making lots of work that isn't very good, and gradually weeding out the parts that aren't good, the parts that aren't yours. It's called feedback, and it's the most direct route to learning about your own vision. It's also called doing your work. After all, someone has to do your work, and you're the closest person around.
One of the recurring themes in Marcus' handbook is leadership's responsibility to work intelligently with what it is given and not waste time fantasizing about a world of flawless people and perfect choices.
The bosses can't read your mind, so I think women should tell them what they want out of their careers. And so I think that if you're just a good person, you work hard, you say 'yes,' and you are driven, you will eventually work your way to the top. At least, that's how it's been for me.
Knowledge is inherent in man; no knowledge comes from outside; it is all inside. We say Newton discovered gravitation. Was it sitting anywhere waiting for him? It was in his own mind; the time came and he found it out. All knowledge that the world has ever received comes from the mind; the infinite library of the universe is in our own mind. The external world is simply the suggestion, the occasion, which sets you to study your own mind.
What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
In order not to lose your resolve and purpose, you need to unite with others of like mind and work with an advanced Teacher who is in touch with, and can transfer, knowledge and power.
Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.
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