A Quote by Sarada Devi
One must be patient like the earth. What iniquities are being perpetuated on her! Yet she quietly endures them all.
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You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
Because of course she had known she must go. She always did the thing because in obedience lay the integrity that God asked of her. If anyone had asked her what she meant by integrity she would not have been able to tell them but she had seen it once like a picture in her mind, a root going down into the earth and drinking deeply there. No one was really alive without that root.
When heaven doth weep, doth not the earth o'erflow? If the winds rage, doth not the sea wax mad, Threatening the welkin with his big-swoln face? And wilt thou have a reason for this coil? I am the sea; hark, how her sighs do blow! She is the weeping welkin, I the earth: Then must my sea be moved with her sighs; Then must my earth with her continual tears Become a deluge, overflow'd and drown'd: For why my bowels cannot hide her woes, But like a drunkard must I vomit them. Then give me leave, for losers will have leave To ease their stomachs with their bitter tongues.
Hold your hands out over the earth as over a flame. To all who love her, who open to her the doors of their veins, she gives of her strength, sustaining them with her own measureless tremor of dark life. Touch the earth, love the earth, honor the earth, her plains, her valleys, her hills, and her seas; rest your spirit in her solitary places. For the gifts of life are the earth's and they are given to all, and they are the songs of birds at daybreak, Orion and the Bear, and dawn seen over ocean from the beach.
One day I'll give birth to a tiny baby girl and when she's born she'll scream and I'll tell her to never stop I will kiss her before I lay her down at night and will tell her a story so she knows how it is and how it must be for her to survive I'll tell her to set things on fire and keep them burning I'll teach her that fire will not consume her that she must use it
You must bind up any wounds you give the earth and you must feed her to replace what you take from her. Every gift she gives, every tree, every stalk of grain, costs her. Only if you repay your debts will she continue to provide.
These things, she felt, were not to be passed around like disingenuous party favors. She kept an honor code with her journals and her poems. 'Inside, inside,' she would whisper quietly to herself when she felt the urge to tell.
For hours she danced and sang and flirted and did this thing that's-she did Marilyn Monroe. And then there was the inevitable drop. And when the night was over and the white wine was over and the dancing was over, she sat in the corner like a child, with everything gone. I saw her sitting quietly without expression on her face, and I walked towards her but I wouldn't photograph her without her knowledge of it. And as I came with the camera, I saw that she was not saying no.
I think I was raised by a very humble mother, who, if anything, is probably over skeptical. She has that sense of everything being a bonus: like, you have your lot, and anything else is on top. She's quietly proud, and quietly humble.
These bright roofs, these steep towers, these jewel-lakes, these skeins of railroad line - all spoke to her and she answered. She was glad they were there. She belonged to them and they to her. . . . She had not lost it. She was touching it with her fingertips. This was flying: to go swiftly over the earth you loved, touching it lightly with your fingertips, holding the railroads lines in your hand to guide you, like a skein of wool in a spider-web game - like following Ariadne's thread through the Minotaur's maze, Where would it lead, where?
A beloved student of mine told me she believed the earth was approximately 6,000 years old. She was smart, she was thoughtful, and she was wrong. But I couldn't discount her - I respected her too much. So I debated with her, using every bit of science and logic I had, but I still failed to convince her that the earth was billions of years old.
There was this one model in French Elle. I can’t imagine what it must be like to be her. She was brunette with big lips and was wearing this tight navy dress by Azzedine someone. She was so beautiful; and the choices she must have. and…Oh, I would give it all up just to have been born that way because her life will be so easy. She won’t have to think, and men will fall into her lap and…It’s all unfair and I don’t want to even write it.
It will never change, and no one wants to admit it but being thin and pretty is the best thing a woman can be.
The Goddess is the Encircler, the Ground of Being; the God is That-Which-Is-Brought-Forth, her mirror image, her other pole. She is the earth; He is the grain. She is the all encompassing sky; He is the sun, her fireball. She is the Wheel; He is the traveler. He is the sacrifice of life to death that life may go on. She is the Mother and Destroyer; He is all that is born and is destroyed.
A part of a healthy conscience is being able to confront consciencelessness. When you teach your daughter, explicitly or by passive rejection, that she must ignore her outrage, that she must be kind and accepting to the point of not defending herself or other people, that she must not rock the boat for any reason, you are NOT strengthening her posocial sense, you are damaging it-and the first person she will stop protecting is herself.
Woman must come of age by herself. This is the essence of 'coming of age'-to learn how to stand alone. She must learn not to depend on another, nor to feel she must prove her strength by competing with another. In the past, she has swung between these two opposite poles of dependence and competition, of Victorianism and Feminism. Both extremes throw her off balance; neither is the center, the true center of being a whole woman. She must find her true center alone. She must become whole.
She had said she didn't feel fear, but it was a lie; this was her fear: being left alone. Because of one thing she was certain, and it was that she could never love, not like that. Trust a stranger with her flesh? The closeness, the quiet. She couldn't imagine it. Breathing someone else's breath as they breathed yours, touching someone, opening for them? The vulnerability of it made her flush. It would mean submission, letting down her guard, and she wouldn't. Ever. Just the thought made her feel small and weak as a child.
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