A Quote by Sarah Addison Allen

She was so Southern that she cried tears that came straight from the Mississippi, and she always smelled faintly of cottonwood and peaches. — © Sarah Addison Allen
She was so Southern that she cried tears that came straight from the Mississippi, and she always smelled faintly of cottonwood and peaches.
She cried for the life she could not control. She cried for the mentor who had died before her eyes. She cried for the profound loneliness that filled her heart. But, above all, she cried for the future ... which suddenly felt so uncertain.
She put her head down on the table and cried all the tears that she knew she should have cried in the past year and a half. But they weren't ready then, they were now.
She cried for herself, she cried because she was afraid that she herself might die in the night, because she was alone in the world, because her desperate and empty life was not an overture but an ending, and through it all she could see was the rough, brutal shape of a coffin.
My grandmother was probably the first person who I thought was beautiful. She was incredibly stylish, she had big hair, big cars. I was probably 3 years old, but she was like a cartoon character. She'd swoop into our lives with presents and boxes, and she always smelled great and looked great.
She said she knew she was able to fly because when she came down she always had dust on her fingers from touching the light bulbs.
Courage looks you straight in the eye. She is not impressed with power trippers, and she knows first aid. Courage is not afraid to weep, and she is not afraid to pray, even when she is not sure who she is praying to. When she walks it is clear she has made the journey from loneliness to solitude. The people who told me she was stern were not lying. they just forgot to mention she was kind.
But when she turned her back to the lights, she saw that the night was so dark...She could not see the stars. The world felt as high as the depthless night sky and deeper than she could know. She understood, suddenly and keenly, that she was too small to run away, and she sat on the damp ground and cried.
Ah," she cried, "you look so cool." Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. You always look so cool," she repeated. She had told him that she loved him, and Tom Buchanan saw.
Takako looked into Hiroki's eyes and grinned. "You've become quie a stud." "And...you're the most stylin' girl in the world." Takako smiled faintly. She wanted to thank him, but she was out of breath. She just stared at Hiroki's eyes. She was grateful. At least she wasn't going to die alone. The last person to stay with her ended up being Hiroki. And she was grateful. She really was.
My mother was one of the most beautiful women, I have to say, of her generation. She was absolutely lovely. She was a very, extremely sensitive, Irish actress. She came from Belfast, Northern Ireland, and she came to London, and she was sort of discovered by several people.
She looked at him then, but his image blurred behind tears that swelled into her eyes. She must leave. She must leave this room, because she wanted to hit him, as she had sworn she never would do. She wanted to cause him pain for taking a place in her heart that she wouldn't have given him if she'd known the truth. "You lied to me," she said. She turned and ran from the room.
I was surprised when I was asked to play Miss Daisy and wondered if I could - only in part because she was Jewish but, also because she was a Southern woman who has hardly opened her mouth before she declares she's not prejudiced, and yet everything she does shows how totally prejudiced she is.
She smiles through a thousand tears, and harbors adolescent fears. She dreams of all that she can never be, she wades in insecurity.
She was all the things I wasn't. And i was all the things she wasn't. she could paint circles around anyone; I couldn't even draw a straight line. She was never into sports; I've always been. Her hand, it fit mine.
While she cut the mushrooms, she cried more than she had at the grave, the most so far, because she found the saddest thing of all to be the simple truth of her capacity to move on.
I tore off my mask so as not to lose one of her tears... and she did not run away!...and she did not die!... She remained alive, weeping over me, weeping with me. We cried together! I have tasted all the happiness the world can offer.
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