A Quote by Sarah Alexander

I often think you need a lot of courage to be in the acting business. The job itself can be incredibly challenging for various reasons. Sometimes it's impossible and requires sheer guts.
I have always felt that acting in a film is very challenging in itself. But when it comes to performing live, I think that is more challenging.
Many people today believe that cynicism requires courage. Actually, cynicism is the height of cowardice. It is innocence and open-heartednes s that requires the true courage -- however often we are hurt as a result of it.
I was never that famous, but I do think going to college and really getting away from the business and taking a true break is incredibly, incredibly important if you start acting at a young age.
One method of staying ahead of rising asset prices and the declining dollar is to think bigger and come up with better plans. As important as financial and business planning is a plan for personal development and self-improvement. I'm often asked to invest in people's business plans, and one of the reasons I turn many of them down is because a big plan requires a big person who's spent time on personal development. In a lot of cases, a business plan is far bigger than the person with the plan - that is, the dream is bigger than the dreamer.
A business owner is the boss, but it's a job, a place that is stable and profitable. An entrepreneur is an artist of sorts, throwing his/herself into impossible situations and seeking out problems that require heart and guts to solve. Both are fine, but choose.
There's a lot of people blocked on my Twitter for various reasons which I don't need to get into.
The one thing I learned the most about acting is it takes a tremendous amount of courage to go there and stand still. It takes courage and guts to step out of your mind frame and depict something.
I think it comes down to the type of personality that the performing arts seem to attract. And that's outgoing, very sensitive - sometimes incredibly insecure - people, that for some reason need a lot of validation. They have a lot that they have to get out, and they choose one of the hardest professions in the world in which to exist, being as sensitive as you need to be.
So many actors have sheer guts, will, and determination; they just need some preparation.
For the men and women of the FBI, bravery is reflected not only in the physical courage often necessary in the job. It can be seen in the courage of conviction, in the courage to act with wisdom in the face of fear, and in the courage it takes to admit mistakes and move forward.
The courage we need is not the fortitude to be obedient in the service of an unjust war, to help conceal lies, to do our job for a boss who has usurped power and is acting as an outlaw government. It is the courage at last to face honestly the truth and reality of what we are doing in the world and act responsibly to change it.
In any creative endeavor, you do have to sort of take your shots. Nobody is going to beg you to go into the creative arts. So, if you want to pursue a career in something like acting or writing, the motor and the drive have to come from you. And that does take courage because, A, a lot of people want to do it, and B, it's hard. So, you have to have the guts to put yourself out there and go for it in spite of the world saying, "You know, it would be so much easier, if you didn't pursue this." So, it does take guts.
I think acting is a gift. I look at someone like Ben Kingsley, and he's incredibly charismatic, even when he's not acting. He's an incredibly hard worker, and he has a very specific system that he does with his work.
You can look at any industry and sector and then figure out how high is your glass ceiling. Do you want to diversify or do you want to penetrate the ceiling? Because the ones who break the glass ceiling are going to be big-time winners, but it will be a longer-term view on things and requires a lot more courage, a lot more guts.
Drag artists are more men than real men. You need a lot of courage, personality, and guts to go out there. Even if you look good or you look bad, you still need to have all of those things to be on stage. You're going to get criticized by everyone.
I think that's what's happened with a lot of people in films these days: they're so enamored with the process, whether it's CGI or using a huge crane that they lose sight of being resourceful. Sometimes you go into a room and all you need is one lamp to light the room. Sometimes all you need is just one simple location to do the job. I think that's more out of habit: you work with what you have to work with.
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