A Quote by Sarah Baker
I can play a cat lady. I can't put my foot down and refuse to play anything but playing the perfect, well-adjusted woman, because those people aren't as fun or funny.
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It's funny when people ask an actor what they want to play next, because you don't get to decide what you play. I don't know. I can only say this: I don't want to and have no interest in playing a plastic surgeon. That's for sure. I'm open to anything else.
It has been our experience that if a young man decides to go on a mission, he can not only play well when he returns, he will often play better. If an athlete could play well before he went on a mission, he will definitely play well when he returns; and, if an athlete could not play well before his mission, he probably won't play well when he returns. However, his chances of playing well are perhaps better if he goes because he will return with . . . better work habits, and a better knowledge of what it takes to be successful.
You have to understand, I don't play golf for fun. It's my business. When the mailman starts delivering mail on his off day, that's when I'll start playing golf for the hell of it. I like to play in tournaments. There are many great courses around the world that I have never played that are next door to tournaments. I have not played them because I don't play for fun.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
I am disappointed when I lose and don't play well, for example. But it is not so disappointing to lose when you play good. And I never feel I want to put the racquet down and walk away because of losing.
I can embarrass myself very easily on guitar. It's funny because people say to me I can play anything; I'm God on the guitar. But I could make a big list of everything I can't play... I'm grateful that people don't notice that.
Acting is playing pretend, playing a children's game at an adult level, but with children's rules. It's fun to play bad guys. I've never been in a fight in my life, so it's fun to play something that's different.
I think it's interesting playing characters who are flawed and make mistakes because we all have - no one's just one thing - no one is just bad or just good - so I like finding flawed characters and playing with their redeeming qualities, whether you play it outwardly or not. I think that one of the reasons I'm an actor is that I love people and I love finding out who they are and why they do the things they do, so it is fun to play those kinds of characters.
I think the best comedic actors don't play it for comedy, they play it for reality. Then you find it funny because it's real. Playing the genre is the worst thing you can do - it's embarrassing.
I feel like, for so many years in the industry, LGBT-identifying actors were told to play small or water themselves down or 'butch it up,' whether you're a male and you're only going out for straight characters because gay characters aren't being written, or you're a woman and you're told to 'femme it up' to play the leading lady role.
I'm not playing for other people; if I start thinking in those terms I would put too much pressure on myself. I play basketball because that is what I love to do.
Golfers who play a lot of courses often encounter short ledges or retaining walls, and I always had fun hopping down from them. I could jump off something six feet high and land like a cat, no problem. Well, today I can't jump off anything higher than two feet without it just killing me.
I was a 6-foot-tall 13-year-old who couldn't play basketball. I moved around all the time as a kid, and at each new school, the coach would say, 'He's the great white hope' - but I couldn't play ball. So my thing was jokes and characters and making fun of myself and being the 6-foot-9 Jewish guy. That was my way into show business.
When a play enters my consciousness, is already a fairly well-developed fetus. I don't put down a word until the play seems ready to be written.
I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.
A lot of guys in New York will only play with an edge. They find their groove and that's their groove. to me, once I do that, there's no point in playing anymore because it should always be a mystery. Depending on who you are playing with, there are hundreds of ways of playing. I think that a master can play all those different kinds of time.
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