A Quote by Sarah Barthel

My beats and my production aren't dark or emo by any means; it's basically the lyrics I think, and the melody sometimes can be too. — © Sarah Barthel
My beats and my production aren't dark or emo by any means; it's basically the lyrics I think, and the melody sometimes can be too.
I try to tell the truth in my lyrics; write good melodies and make hard beats. So, basically, I just combine hip-hop with melody. That's how I classify myself.
Sometimes melody and sometimes lyrics. It depends on the tempo and feel of the song. Slower pieces usually begin with melody and faster ones with lyrics. I write for the song and it leads me to my conclusion.
Hunter can write a melody and stuff like that, but his forte is lyrics. He can write a serviceable melody to hang his lyrics on, and sometimes he comes up with something really nice.
My musical style changes with every song that I make. I jokingly referred to it one time as 'emo thug', and I think that kind of stands because it's got equal parts of the aggressive confidence of the Dre beats I grew up listening to, and the emotion of like... emo music!
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
Do I start with the lyrics? No. Quite honestly, it's the opposite. I generally get the melody first - I kinda fiddle around on the guitar and work out a melody. The lyrics are there to flesh out the tone of the music. I've tried before to do things the other way around, but it never seems to work. Obviously, I spend a lot of time on my lyrics, I take them very seriously, but they're kinda secondary. Well, equal, maybe. I think sometimes that if you write a poem, it should remain as just a poem, just... words.
Sometimes I start with lyrics - rarely - but sometimes I might have an idea for some lyrics that I wanna say. I write them down and figure out how to use that in a melody to write a song.
I usually write lyrics first, and then when I get home or close to any kind of instrument, I usually make a melody for those lyrics.
I think the melody is the first time I hear in a song and if I like the melody, then I'll pay closer attention to the lyrics.
I love Hank Williams, he's the original emo kid. Some of his lyrics remind me of, like, Promise Ring lyrics.
I think if Unchained Melody does what I think it can do, I think there is an audience out there that would heave a sigh of relief, that finally there is a melody and orchestration, production and a vocalist that is giving them a song that they can just listen to... and not be annoyed by the vocal acrobatics that vocalists seem to think is impressive.
I've always felt that the game itself is pretty much a melody and I am there to provide the lyrics. You want the lyrics to match the melody, because if you are composing a song or recording a song, it's cacophonous if they don't match.
I don't really have a set-in-stone process or formula. Sometimes the melody is there and I have to chase down the lyrics. Sometimes, the song is there and I have to make the melody fit. What I've learned so far about songwriting is that I can't force a song. If I try to do that, it's hollow, and people know a hollow song when they hear it. It's the song they stop listening to and forget about. I'd prefer not to write those kinds of songs.
There's a melody in everything. And once you find the melody, then you connect immediately with the heart. Because sometimes English or Spanish, Swahili or any language gets in the way. But nothing penetrates the heart faster than the melody.
I'm a big perfectionist, and I like to make sure everything 120 percent, from the production to the vocal performance to the lyrics, the melody and everything.
Basically, country is my kind of music - the simple melody, the simple lyrics.
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