A Quote by Sarah Blasko
I guess it was this over-riding feeling I wanted people to get from the album - a kind of positivity. On the one hand it's quite a sad record, but I wanted the songs in essence to be about pulling yourself out of a difficult time. So I thought that the idea of day after a really long, difficult night, would be pretty appropriate... I think the album's about contrasts too - contrasts of emotion - so I thought the comparison was appropriate.
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I think with the 'Get Weird' album, it was the hardest album we've ever made so we had no idea what sound we wanted to go for, we didn't really know what we wanted to write about... and so it took a lot of time.
I thought I'd go away and make one album, but it was extended. The album did so well, and they wanted another album. I was on a high. You make hay while the sun shines, and I was doing it, and you think about yourself; that's what you do.
That was an idea of the record company, and also that was my first album after MCA and we wanted to come back with a strong album that would be noticed. If we put the vocals by very talented people and very meaningful songs, then the vocals would be a platform so that I could be noticed again. All of the MCA albums were just loaded with problems -- you know, the right musicians, the engineers. The record company would say 'You have to make music for black radio, you can't do what you have been doing with The Crusaders.' Everybody was telling me that was over, finished, done.
We never really set out to talk about California on the album ['California'], it was something that we noticed that was happening about three-quarters of the way through the recording process. We were looking at which songs we thought would make the record and we realised that there was this theme coming through. I think it's just a product of being in California for as long as I have.
I've always dreamed of having an album. The problem is that it's just very difficult to make an album nowadays because through technology, music shifts so fast, especially electronic music. Once you make five songs, the first one you did is already old and you wished you would have put it out right away. So that's kind of the difficult part.
You sing songs hundreds of times over and over, but certain ones just morph and naturally, as you age and get life experience, take on a different form as well. When I was looking at songs for the album, I thought, "Which are the ones that connect with me the most? What do I think would work in album form?" Almost all of them I've done in shows.
I also wanted to make a record that was about other things than romance, yeah, after two years on the road singing all the songs from the first album, I got kind of tired of that.
he used to think that he wanted to be good, he wanted to be kind, he wanted to be brave and wise, but it was all pretty difficult. He wanted to be loved, too, if he could fit it in.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
With 'Torches,' I wanted to make a great pop record; I wanted every song to be exciting, not to have too much space, no long pieces of music without vocals. I kind of wanted to write the perfect pop album.
A really humbling experience that we've had was touring on Post-Nothing, was having people come up to us and tell that story about Post-Nothing. Especially as the tour went on, people saying, "I listened to your album when it first came out and I listened to it every day for the summer of 2009. That was my album for that summer; that was my album for this time in my life." When somebody tells you that, it's a pretty amazing feeling, and very humbling.
I find it quite difficult to think that there's, you know, about 20 million people listening to my album that I wrote very selfishly to get over a breakup. I didn't write it being that it's going to be a hit.
When the media would call and want to interview me, I thought it was 'cause they really wanted to find out what I thought about things. I thought it was because they really wanted to find out who I am. That's not what they wanted. They already in their minds knew who I was and they didn't like it, and they wanted face-to-face opportunities to expose my defects and my problems and my racism and bigotry and all this.
When you love what you do, you just really fall in love with it. Sometimes you record a lot more songs than the album will even hold. You record like 300 songs and only 12 songs go on the album. It takes time. But if you love what you do, it works out.
I took a lot time to do the first album, and I was really happy about that album. I co-wrote the songs and it was a learning process. When I was working on that album I realized, for the first time, that I could write my own songs.
I wanted to reexamine the idea of the album for generations of people who are not my age, who love music or learning about music or are finding this band called R.E.M. or have just previously heard "Losing My Religion" and "Everybody Hurts" as their elevator music. I wanted to present an idea of what an album could be in the age of YouTube and the Internet.
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