A Quote by Sarah Brightman
When I sing, I close my eyes. If I see a feather, everything is fine. Without this image in my mind, the sound is not 'truthful' enough and I must begin again. I have to.
Related Quotes
When I sing, I close my eyes. If I see a feather, everything is fine. Without this image in my mind, the sound is not 'truthful' enough, and I must begin again. I have to.
I close my eyes. An image flashes—emerging from the van with Julian after our escape from New York City; believing, in that moment, that we had escaped the worst, that life would begin again for us. Instead life has only grown harder.
To draw you must close your eyes and sing.
No taste of food, no feel of water, no sound of wind, no memory of tree or grass or flower, no image of moon or star are left to me. I am naked in the dark, Sam, and there is no veil between me and the wheel of fire. I begin to see it even with my waking eyes, and all else fades.
As we hone the ability to let go of distraction, to begin again without rancor or judgment, we are deepening forgiveness and compassion for ourselves. And in life, we find we might make a mistake, and more easily begin again, or stray from our chosen course and begin again.
I close my eyes while driving and just sing along. I always open them again in time.
It is not enough that we are truthful; we must cherish and carry out high purposes to be truthful about.
You don't need as much as some of the other artists but you do sing with your eyes close and it gives the illusion that you singing in your sleep and number one places around the country, you have to have your eyes open. You can close your eyes for a certain gesture or whatever but your eyes are the mirrors of your soul.
You can meditate on almost anything: a prayer, song, image or word. Close your eyes; sit in a comfortable position. Take a breath, and say the word out loud, emphasizing the humming sound at the end. When you come to the end of the breath, take another one and say the word again. And so on.
Were a man to spend only one day in Sicily and ask, "What must one see?" I would answer him without hesitation, "Taormina." It is only a landscape, but a landscape where you find everything on earth that seems made to seduce the eyes, the mind and the imagination.
While the body is young and fine, the soul blunders, but as the body grows old it attains its highest power. Again, every good soul uses mind; but no body can produce mind: for how should that which is without mind produce mind? Again, while the soul uses the body as an instrument, it is not in it; just as the engineer is not in his engines (although many engines move without being touched by any one).
When an actor comes to you and starts working with the script, the image of his character that you had in your mind gets substituted with an image of that particular actor. And this is the right way to go. An actor has to be absolutely truthful - this is the only thing required of him, apart from talent of course. It's very easy to understand: you need to absolutely believe in what you see.
My point is if as an actor you can train yourself to sound better than a singer you must sing but if you can't do that then you must not sing.
You must squeeze out of yourself every sensation, every thought, every image, - mercilessly, without reserve and without remorse: you must search the darkest corners of your heart, the most remote recesses of your brain, - you must search them for the image, for the glamour, for the right expression. And you must do it sincerely, at any cost: you must do it so that at the end of your day's work you should feel exhausted, emptied of every sensation and every thought, with a blank mind and an aching heart, with the notion that there is nothing, - nothing left in you.
I like a narrative, even if it's fractured, or kind of psychedelic. But my favorite thing is if I hear words and I close my eyes and the connotations or the image I get in my head, combine with the sound of them - sometimes phonetics. I'm just stringing those together.
You see ... a man like me, a cautious man, has his life all figured out according to a pattern, and then the pattern flies apart. You run around for quite a while trying to repair it, until one day you straighten up again with an armful of broken pieces, and you see that the world has gone on without you and you can never catch up with your old life, and you must begin all over again.
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