A Quote by Sarah Burton

I always drew dresses. I remember loving Richard Avedon's early Versace campaigns. I used to plaster my whole walls with them when I was a kid. — © Sarah Burton
I always drew dresses. I remember loving Richard Avedon's early Versace campaigns. I used to plaster my whole walls with them when I was a kid.
American 'Vogue' and the Versace campaign by Richard Avedon were huge for me. It put me on the map.
Versace! Versace! Versace! Versace! Versace! Versace! We love Versace. Versace is the greatest designer of all time!
The principle factor in my success has been an absolute desire to draw constantly. I never decided to be an artist. Simply, I couldn't stop myself from drawing. I drew for my own pleasure. I never wanted to know whether or not someone liked my drawings. I have never kept one of my drawings. I drew on walls, the school blackboard, odd bits of paper, the walls of barns. Today I'm still as fond of drawings as when I was a kid - and that was a long time ago - but, surprising as it may seem, I never thought about the money I would receive for my drawings. I simply drew them.
I remember this time I worked with Linda Evangelista on a shoot for Richard Avedon. I just put grease on her face, and it was beautiful.
The theme of counterfeits, of those that produce and sell them, has always been part of the culture of M.I.A. When I was contacted by Versace, it seemed a great idea to invert the circle. Versace's designs have always been copied; now it's Versace that copies the copies, so those that copy must copy the copies. So this will continue.
Remember how you used to be able to feel your bed breathing and the walls spinning when you were a kid?
Richard Avedon is a true genius of photography and one of the greatest artists of our time.
I always drew. I don't remember a time when I didn't draw. And I actually drew comics from the age of maybe ten through twelve.
Richard Avedon taught me that if you go into a photo session and come out with what you had hoped for, it’s a failure. You need to be surprised if you want it to be magical.
Most little children's obsessions are robots and Barbie dolls. My obsession as a kid was the Versace house. I used to save up my pocket money to buy Versus shirts. I was that obsessed!
Always remember your kid’s name. Always remember where you put your kid. Don’t let your kid drive until their feet can reach the pedals. Use the right size diapers…for yourself. And, when in doubt, make funny faces.
Always remember your kid's name. Always remember where you put your kid. Don't let your kid drive until their feet can reach the pedals. Use the right size diapers... for yourself. And, when in doubt, make funny faces.
I felt like I was in the best photography school in the world - I had Herb Ritts, Bruce Weber, Richard Avedon and Irving Penn teach me.
I think about a Richard Avedon photo series, the kind of faces he gets of real people, which I find so captivating. Fellini was also great in filling his films with this ambiance, this environment, sometimes chaotic and carnival-like, but people's faces were always amazing.
I remember growing up always loving the guitar. I used to love to watch the people play on the Country Western shows on TV. My folks told me that when I was just a toddler, I used to pretend I was playing a guitar on a toothpick.
I always start my campaigns early, and I run hard. Maybe it comes from the rough-and-tumble world of San Francisco politics, where it's not even a contact sport - it's a blood sport. This is how I am as a candidate. This is how I run campaigns.
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