A Quote by Sarah Dessen
funny how a beautiful song could tell such a sad story
Related Quotes
There are two ways to tell the story. Funny or sad. Guys like it funny, with lots of gore and a grin on your face when you get to the end. Girls like it sad, with a thousand-yard stare out to the distance as you gaze upon the horrors of war they can't quite see. Either way, it's the same story.
It was funny how dad was more honest in a book that anyone in the world could pick up and read than he could be talking to me. Or maybe it was sad. One or the other. Sometimes it’s hard to tell.
I love things that are old and beautiful and tell a story, even if it's a sad one.
If you gauge how you're doing on whether somebody is responding vocally or not, you're up a creek. You can't do that; you kind of have to be inside of your work and play the scene. And tell the story every day. Tell the story. Tell the story. Regardless of how people are responding, I'm going to tell the story.
Tell me I'm beautiful, it's nothing. Tell me I'm intellectual - I know it. Tell me I'm funny and it's the greatest compliment in the world anyone could give me.
Tell me I'm beautiful, it's nothing. Tell me I'm intellectual - I know it. Tell me I'm funny, and it's the greatest compliment in the world anyone could give me.
That is many poets don't know how to tell a story and they don't have a sense of how to put things in order to tell a story and we thought the poets could learn from fiction writers something about developing a character over time who wasn't just you and also creating a narrative structure.
One of my mottos for 'Currents' was 'Give the song what it deserves.' How would this song flourish? If the song could tell me what it wants, what can I give it? I tried not to dictate it with any sensible or logical decisions.
As a small child, I could watch anything happen and tell a story, and it was funny.
Some people are so special, so beautiful and have so much to offer this world. Sad thing is they just don’t see it. They need positive reinforcement. Tell them, 'If you could see only half of what I see in you, then one day you'd realize how truly amazing you really are.
I tell the songwriter's story. When I read people's lyrics, I'm so amazed. I want to tell this story and make it part of my life. I usually can't write lyrics down, but I can sure tell that story. You've got to make people feel the hurt and love in each song.
A sad truth I learned as a DP starting out was that it doesn't matter how beautiful I make it if the story and performance are not there. That should be number one.
That song is a story that shows how easily you could get slipped into being labeled as the bad guy, even though what you really trying to do is tell the bad guy to leave you alone.
You have a choice in this world, I believe, about how to tell sad stories, and we made the funny choice.
I don't care if I tell that story and John Roderick gets up afterward and yells, 'I hope you enjoyed the white privilege, mortality comedy of John Hodgman!' That's me!" I'm going to play a sad Handsome Family song at the end and I guarantee you everyone is going to love it because, sometimes, you need a grown man or woman to tell you what you like.
When I was there at Marvel, everybody thought if you could draw well and you could do sensational panels, that you were going to be a success. The truth is that no matter how good or bad you are as a draftsman, if you can't tell a story, you don't last in comics. ...About halfway through my stay at Marvel, I realized I was being paid to tell a story, not do a drawing. That's why my stuff is always rather simple and uncomplicated compared to a lot of guys.
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