A Quote by Sarah Dessen

I had no illusions about love anymore. It came, it went, it left casualties or it didn't. People weren't meant to be together forever, regardless of what the songs say.
I wanted people who wouldn't become too worried about casualties. One always should be concerned about casualties, but the risk of incurring casualties can't be allowed to affect decisions, unless it's evident casualties will be prohibitively heavy. There may be no safe way to write this.
Pop music often deals with subject matter like breakups, or you have songs that are like, "I will love you forever," or "you're so hot right now," or "I really feel you," or "We should be together." There aren't that many songs that are like, "I just walked into the room and now I have nothing to say because I feel so awkward because I fancy you so much." There's not as many songs that deal with that awkward bit about love; about how you can really have such a huge crush on someone that actually is completely disabling.
Dreams last so long Even after you're gone I know you love me And soon you will see You were meant for me And I was meant for you Go about my business, I'm doing fine Besides, what would I say if I had you on the line Same old story, not much to say Hearts are broken every day I'm half alive but I feel mostly dead I try to tell myself it'll be all right I just shouldn't think anymore tonight
After playing so many songs in churches for eight or nine years, I've learned what songs people react to. Then I just had fun with the arrangements. That's how this album came together.
Because as much as I love figuring out other people's puzzles, and love putting words together in ways that feel good to sing and sound good together and suit the melody, I think most of the best songs in the world are fairly clear about what they mean to say.
If you hear what people had to say about Abraham Lincoln or what they had to say about FDR, or what they had to say about Ronald Reagan when he first came in and was trying to change our approach to government, that elicited huge responses.
I have no illusions about my filmmaking work but I must add I have no illusions about anybody else's either. I am very strict with myself and I think, "no, that could have been improved", "why didn't I put a little bit more then? Why didn't we come out then?" It was what I thought was right at the time and you have to stand by that. And if it completely fails you have got to say, "But that is what I meant at the time.".
A building get torched. All that is left is ashes. I used to think that it is true about everything - family, friends, feelings - but now I know that sometimes if love proves real, and two people are meant to be together, nothing can keep them apart.
Think about back in the day when we had Archie Bunker, 'The Jeffersons.' We had stuff to sit down and share and laugh at. The Internet has made it so we don't have to sit together anymore. It's so self-absorbed. No one has to talk to each other anymore, and people don't realize that that is killing us.
I love DC. I love the people there, and I am deeply in love with that universe, but it meant that for a long time, when other offers came up, I always had to turn them down.
After a while, you're growing up so quickly and you begin to not know your parents anymore. You're left with the memories you had as a kid, but you're not a kid anymore and your experiences are separate. We are now much closer and communicate almost every day. It's a lot of work, but what holds us together is the hope that we will one day be together again.
Looking back, the way I see it, there was something slightly deluded about my belief - what that meant to me - but with that delusion came of lot of happiness. Life was really black and white: if you do these things now, God will you invite you to his house where you will love forever and everything will be happy forever. That's what I believed, and that makes life pretty sweet. I do miss it.
For love to last, you had to have illusions or have no illusions at all. But you had to stick to one or the other. It was the switching back and forth that endangered things.
I think the level of casualties is secondary... [A]ll the great scholars who have studied American character have come to the conclusion that we are a warlike people and that we love war... What we hate is not casualties but losing.
I was writing with different people in Nashville - whoever I could. Eddie Hinton came on the scene about 1963, and about four years later we wrote a ton of songs together. I drifted around, but Eddie and I had some cuts through the '60s and '70s. I went on the road with Kris Kristofferson in 1970.
I had been, like, 'I don't wanna be a singer anymore', so dramatic, but when I was recording with Brian Higgins I was like, oh my god I love this, I love these songs, I love what this is. And then we just kept on working and working until we got more songs.
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