A Quote by Sarah Dessen

I hoped this was true. Even if it wasn?t, all I could do was hand over what I could, with the hope of something in return. But of course, this was easier said than done. — © Sarah Dessen
I hoped this was true. Even if it wasn?t, all I could do was hand over what I could, with the hope of something in return. But of course, this was easier said than done.
I could, of course, have done no more if no less than affiliated myself in one way or another with a particular church, could have simply read books about Christianity, talked to Christian people, set out to discover something about what a Christian life is supposed to involve and then tried as best I could to live one. But, on the one hand, that didn't seem enough to me, and on the other, it seemed to much.
If Christianity was something we were making up, of course we could make it easier. But it is not. We cannot compete, in simplicity with people who are inventing religions. How could we? We are dealing with Fact. Of course anyone can be simple if he has no facts to bother about.
Email is such a funny thing. People hand you these single little messages that are no heavier than a river pebble. But it doesn't take long until you have acquired a pile of pebbles that's taller than you and heavier than you could ever hope to move, even if you wanted to do it over a few dozen trips. But for the person who took the time to hand you their pebble, it seems outrageous that you can't handle that one tiny thing.
When you wrote it didn't matter if hysteria sometimes came up in your face and voice (unless, of course, you let it find its way into your "literary voice") because writing was done in merciful privacy and silence. Even if you were partly out of your mind it might turn out to be all right: you could try for control even harder than Blanche Dubois was said to have tried, and with luck you could still bring off a sense of order and sanity on the page for the reader. Reading, after all, was a thing done in privacy and silence too.
Just about everything in this world is easier said than done, with the exception of 'systematically assisting Sisyphus's stealthy, syst-susceptible sister,' which is easier done than said.
Muhammad brought the promise that anyone could find fulfillment and everlasting life through allegiance to the one true God. The Buddah held out hope that the suffering could be transcended. Jesus brought the message that even the last shall be first, that even the tax collectors and lepers - the outcasts - had cause for hope. And so that is the question I leave you with in this final: What is your cause for hope.
Throughout the ordeal, I learned that getting mad was easier than being sad. Anger was something I could control. I could settle into an easy rhythm of blame and hate. Focus my energy on something than the ache in my heart.
Facts, at any rate, could not be kept hidden. They could be tracked down by inquiry, they could be squeezed out of you by torture. But if the object was not to stay alive but to stay human, what difference did it ultimately make? They could not alter your feelings, for that matter you could not alter them yourself, even if you wanted to. They could lay bare in the utmost detail everything that you had done or said or thought; but the inner heart, whose workings were mysterious even to yourself, remained impregnable.
What say you, Luxa?" said Vikus. "What can I say, Vikus? Can I return to our people and tell them I withdrew from the quest when our survival hangs in the balance?" said Luxa bitterly. "Of course you cannot, Luxa. This is why he times it so," said Henry. "You could choose to - " started Vikus. "I could choose! I could choose!" retorted Luxa. " Do not offer me a choice when you know none exits!" She and Henry turned their backs on Vikus.
But is all this true?" said Brutha. Didactylos shrugged. "Could be. Could be. We are here and it is now. The way I see it is, after that, everything tends towards guesswork." "You mean you don't KNOW it's true?" said Brutha. "I THINK it might be," said Didactylos. "I could be wrong. Not being certain is what being a philosopher is all about.
I think I hoped for something more. Maybe I even hoped that I could find in Richard what I had with Ben. But it is suddenly very clear: Richard is not fallin in love with me and I'm not falling in love with Richard. We are not creating anything permanent or special. We are only having fun together. It is a fling- a fling just like he said last night- a fling with an ending yet to be determined. I feel relieved to have it defined
There's something inherently more appealing about the idea that you could reveal and tell stories about characters over the course of a TV season - 13 or 26 episodes, whatever it might be - than in the course of one two-hour movie. You can do so many more novelistic kinds of things on a TV show - with time, with gradual development of relationships, and so on - than you could possibly do in a movie. And that is very appealing.
My job is to return abstraction to the people: in a sense, to popularize it without lowering the bar, which is a lot easier said than done.
Charlotte said that if I chose, I could cease to be a Gray and take the name my mother should have had before she was married. I could be a Starkweather. I could have a true Shadowhunter name." She heard Will exhale a breath. It came out a puff of white in the cold. His eyes were blue and wide and clear, fixed on her face. He wore the expression of a man who had steeled himself to do a terrifying thing, and was carrying it through. "Of course you can have a true Shadowhunter name," Will said. "You can have mine.
If you don't feel a true passion through work, you can't do it. It's not possible for me. I've never done TV. I've never done commercials. I've never done anything for money. I can't do it. I wish I could. It would be easier.
It was true: hope could be unkind. You opened yourself up to the worst of wounds because you wanted to believe that something good could finally happen. But if you didn't? You missed this. This intense and prefect moment in which, while the world was almost literally going to hells all around you, hope and reality blended in a single, perfect note.
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