A Quote by Sarah Dessen
In Anger Management,' he said,'we had to do all this role-playing stuff. You know, to get used to handling things in a less volatile way.' 'You role-played,' I said, trying to picture this. 'I had to. It was court-ordered.
Related Quotes
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
When I broke into the Everton side under Roberto Martinez, I was playing in the No. 10 role, and I had never played there before, so I was getting used to that role as a first-team player.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
Amitabh Bachchan played the role I was supposed to play in 'Saat Hindustani' but I cannot say he got his first film because of me. He had already been cast in the film, but was playing a different role.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
If someone had said to me ten years ago "Yo, we have this role of this pimp who wants to be a rapper, he lives in Memphis", I'd be like, "Really?" But then when you read it and you see it, you say "That's a great role."
Institutional Christianity has had clear secular benefits to American life for hundreds of years. It's played both a prophetic role in terms of generating moral critiques of American excesses, and so on, and also a communal role, in terms of building community as the country moved westward to the role my own Catholic Church played in assimilating generations of immigrants.
In high school, my first thing ever was I played Tony in West Side Story when I was about 17. I was a really shy kid and I just like forced myself to learn how to sing this one month because I loved West Side Story so much and I somehow managed to get the role. I had an afro and glasses, and the guy who cast me goes, "All right, the first thing to go is the afro and the next thing, I'm going to buy you contacts and we're going to get you..." So he kind of molded me into what it had to - that's still probably the hardest role I've every played in anything, the most taxing role.
My part had three lines. I said, 'You look wonderful, sir,' three times. All my friends said, 'Do not take that role - and do not understudy. You'll regret it the rest of your life.' I did both of those things, and I've never regretted it once.
My part had three lines. I said, You look wonderful, sir, three times. All my friends said, Do not take that role - and do not understudy. You'll regret it the rest of your life. I did both of those things, and I've never regretted it once.
I'm always playing a role, whether it's the role of the mayor, the role of a news anchor, or a role of a crazy talk-show host. But there was a specific function. 'On Dancing With The Stars', I had nothing to do but be me, schlepping around the floor. And when I host 'America's Got Talent', that's really me just talking to regular folks.
Each role that I've played has had a piece of a dream role in it.
When you get the role, it's 'cause you know exactly how to play it, and they know that the way you're playing it is exactly what they want. I never go with a role and say that I need to change anything about it. Otherwise, I wouldn't take it.
The role of Ronald Reagan had been deliberately diminished; the role of the Europeans, who, with the exception of Helmet Kohl, were often keen to undermine America when it mattered, had been sanitized; and the role of Mr. Gorbachev, who had failed spectacularly in his declared objective of saving communism and the Soviet Union, had been absurdly misunderstood.
There's a beauty shop companion called School of Beauty, School of Culture at the Birmingham Museum of Art. I got an email that said a couple had a guerrilla wedding in front of that picture. They slipped into the museum with a preacher and had their wedding ceremony in front of it. It turns out that the woman is a beautician and the man is a barber, they had seen that picture, and they said it was the perfect place to get married.
The cop in 'Dhruva' had to be much more agile, far more fit and alert than any role I had played so far. I built the body that the role required. If it's been appreciated, I am glad.
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