A Quote by Sarah Dessen

Wes wants to be with Macy. And Macy, whether she'll admit it or not, wants to be with Wes. And yet they're not together, which is not only unjust, but when you think about it, tragical!
I turned and looked into the gas station, where Wes was now paying, as the man who'd driven us looked on. "That's too bad," I said. "It's okay, though," she assured me. "Someday I'll show you an extraordinary boy, Macy. They do exist. You just have to believe me." "Don't worry," I said. "I do.
Among the guitarists, Wes Montgomery is fantastic. He's always good to let you know what the art form is all about. It's the same still life that everybody is painting, but in comes Wes Montgomery, and it's right there!
Wes Craven is obviously a horror film icon so I was definitely very interested in bringing something back to life that Wes had created.
I listened for the voice I knew so well, the one I always heard at the beginning. Good girl, Macy! You're doing great! You know the first steps are the hardest part! They were. Sometimes I felt so out of sync, it was all could do not to quit after a few strides. But I kept on, as I did now. I had to, to get to the next part, this part, where I finally caught up with Wes, my shadow aligning itself with his, an dhe turned to look at me, pushing his hair our of his eyes.
My roommate in college in Austin, Texas, was Wes Anderson. Wes always wanted to be a director. I was an English major in college, and he got us to work on a screenplay together. And then, in working on the screenplay, he wanted my brother, Luke, and me to act in this thing. We did a short film that was kind of a first act of what became Bottle Rocket.
I got very lucky to work with Wes Craven, very early on in my career, and continued to work with Wes for almost 19 years. I learned so much from him, and about his sense of story and his sense of horror, and that was great to be a part of.
We worked together with Wes Anderson writing a couple more movies together: Rushmore [1998] and Tenenbaums.
I met this wonderful girl at Macy's. She was buying clothes and I was putting Slinkies on the escalator.
If some woman tells me how she feels about something, my immediate assumption is that she wants an answer, or that she wants me to solve her problem. In fact, all she wants to do is share, or show how she feels.
No woman wants an abortion as she wants an ice cream cone or a Porsche. She wants an abortion as an animal caught in a trap wants to gnaw off its own leg.
I like to eat a whole lot. I have an inner chubby girl, and her name is Mabel, and I feed Mabel a lot. I give her what she wants. If Mabel wants a honey bun, she gets it. If Mabel wants Krispy Kreme, she gets it. If Mabel wants fried chicken or ham hocks, she gets what she wants.
I always wanted my partner to be a simple person. She can do what she wants, wear what she wants, work wherever she wants.
There's a lot of movies that aren't all about Christmas, or where Christmas isn't the focus, but have that spirit of Christmas in them. I love that sequence in 'Auntie Mame,' where she's in the department store, sewing at Macy's, and she doesn't know how to do anything but fill out a form as 'cash on delivery!'
Wes Craven is a wonderful friend, and we had a really good time together.
If you meet a girl who says: 'Darling, what do you mean? Of course I wear suspenders. I've worn them all my life. I think tights are for old people,' then know this: she's desperate to have kids, she wants you and her to live in the same house as her mum, she never wants to go out and she just wants to lie on your chest for the next 15 years.
Intellectual despair results in neither weakness nor dreams, but in violence. It is only a matter of knowing how to give vent to one's rage; whether one only wants to wander like madmen around prisons, or whether one wants to overturn them.
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