A Quote by Sarah Dessen

That was the thing. You just never knew. Forever was so many different things. It was always changing, it was what everything was really all about. — © Sarah Dessen
That was the thing. You just never knew. Forever was so many different things. It was always changing, it was what everything was really all about.
We'd start slow, the way we always did, because the run, and the game, could go on for a while. Maybe even forever. That was the thing. You just never knew. Forever was so many different things. It was always changing, it was what everything was really all about. It was twenty minutes, or a hundred years, or just this instant, or any instant I wished would last and last. But there was only one truth about forever that really mattered, and that was this: it was happening. Right then, as I ran with Wes into that bright sun, and every moment afterwards. Look, there. Now. Now. Now.
I feel like my music has so many different things going on. I've always worked with many different producers. And a lot of times, each of them has a different thing that I really love about what they do.
In our true blissful essence of mind is known that everything is alright forever and forever and forever...listen to the silence inside the illusion of the world, and you will remember the lesson you forgot, It is all one vast awakened thing. We were never really born, we will never really die. It has nothing to do with the imaginary idea of a personal self, other selves, many selves everywhere: Self is only an idea, a mortal idea. That which passes into everything is one thing. It's a dream already ended.
Everything seemed to change on that one day, but really, I think, things had been changing and changing over the course of many previous days, and perhaps what eventually appears to be information always appears at first to be just flotsam, meaningless fragments, until enough flotsam accretes to manifest, when one notices it, a construction.
This is a love story. I never knew there were so many kinds of love or that love could make people do so many different things. I never knew there were so many different ways to say goodbye.
That is one thing I've learned, that it is possible to really understand things at certain points, and not be able to retain them, to be in utter confusion just a short while later. I used to think that once you really knew a thing, its truth would shine on forever. Now it's pretty obvious to me that more often than not the batteries fade, and sometimes what you knew even goes out with a bang when you try to call on it, just like a lightbulb cracking off when you throw the switch.
I really feel that the thing that I love the most about my career is that it is so eclectic. You know, I've gone from so many genres and so many different mediums and I love that most - that people have always given me the chance to do vastly different things.
I love that I'm a character actress and get to do so many different and interesting roles. There's really no reason that I can't continue on forever, because I've never been typecast as one thing.
It's really interesting to just look at the career of a musician and a producer that went into many different genres and many different styles and many different places but always breaking the barriers between genres and at some point reinventing himself all along the way but also inventing things at the same time.
Everything kind of was leading towards that and I had so many specific ideas always about how exactly I wanted something to look. I would customize so many things in my wardrobe that were vintage or things that I was buying, and it just really all aligned and the timing was perfect.
For me, vision is just about the most important thing. So goggles play a huge role in my sport. I come to the competition with a bunch of different goggles and tons of different lenses in multiple tints. The weather can always be changing, and you have to have the right thing to make sure you can see perfectly.
There's so many different medias on the internet, taking it from the big medias and making their own little article out of that and changing it into something that it isn't. There's never one story from an interview, there's always so many different stories.
A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.
Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.
The difficulty for me is that I'm interested in so many different things. I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things.
That was cool, getting to work with Ryan Gosling. I knew he was going to be a huge star after I saw him in that Showtime thing that he did when he was really young [The Believer]. I think the most fun thing about that was I'd never seen somebody that had so many questions about the specifics of everything: where you ate, how much you ate, how much you drank. He's very special.
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