A Quote by Sarah Dessen

An ending was an ending. No matter how many pages of sentences and paragraphs of great stories led up to it, it would always have the last word. — © Sarah Dessen
An ending was an ending. No matter how many pages of sentences and paragraphs of great stories led up to it, it would always have the last word.
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
I've remade a few movies and they all have one thing in common: great endings. If you're going to remake something, make sure that ending is tight. It's a little less challenging, if you have a great ending. If you don't have a great ending, don't remake the movie.
Imbuing fiction with a life that extends beyond the last word is in some ways the goal: the ending that goes beyond the ending in the reader's mind, so invested are they in the story.
It was the last that remained of a past whose annihilation had not taken place because it was still in a process of annihilation, consuming itself from within, ending at every moment but never ending its ending.
I always rewrite the very beginning of a novel. I rewrite the beginning as I write the ending, so I may spend part of morning writing the ending, the last 100 pages approximately, and then part of the morning revising the beginning. So the style of the novel has a consistency.
When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
The world is always ending for someone. It’s a good line. I give it to the father of the child. He says it to his wife. ‘The world is always ending for someone,’ he says. She is trying to quieten the baby, and does not hear him. I doubt that it would matter if she did.
I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.
There's a reason a happy ending is called an ending. The trick of a television storyteller is to find all the rivers and mountains and valleys on the way to that ending.
The book works better if I know everything I can about the ending. Not just what happens, but how it happens and what the language is; not just the last sentence, but enough of the sentences surrounding that last sentence to know what the tone of voice is. I imagined it as something almost musical. Then you are writing toward something; you know the sound of your voice at the end of the story. That's how you want to sound in those final sentences: the degree that it is uplifting or not, the degree that it is melancholic or not.
The Supreme Being I would sign up for would not prove his omnipotence by saving one life while ending dozens, or hundreds, or thousands. Nor would he summon an angel to heaven by ending a first grader's life at the hands of a gunman or sadist.
When people want to sound smart, they add syllables to words, words to sentences, sentences to paragraphs, paragraphs to books. They try to make up in quantity and complexity what they lack in quality. That's bullshit! They're just hiding their bullshit!
Probably a good idea, let me know how it ends" "I already know how it ends" "You read the ending first?" "I always read the ending before I commit to the whole book." "If you know how it ends, why read the book?" "I don't read for the ending. I read for the story".
When I transformed my random and raw words into sentences, sentences into paragraphs, and paragraphs into chapters, a semblance of order and sanity appeared where there had been only chaos and insanity.
Every Great Story deserves a Great Ending and 'The Dark Knight Rises' is our Attempt to give that GREAT story, a GREAT ENDING.
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