A Quote by Sarah Dessen

When I pictured myself, it was always like just an outline in a colouring book, with the inside not yet completed. — © Sarah Dessen
When I pictured myself, it was always like just an outline in a colouring book, with the inside not yet completed.
When I pictured myself, it was always like just an outline in a coloring book, with the inside not yet completed. All the standard features were there. but the colors, the zigzags and plaids, the bits and pieces that made up me, Halley, weren't yet in place. Scarlett's vibrant reds and golds helped some, but I was still waiting.
I don't start a novel until I have lived with the story for awhile to the point of actually writing an outline and after a number of books I've learned that the more time I spend on the outline the easier the book is to write. And if I cheat on the outline I get in trouble with the book.
Each time I had five hours of the poison going into me, I just pictured everything that needed to be burned away. I pictured wars, I pictured the things my father had done to me, I pictured brutality, and when it was over, I am light.
My list of things I never pictured myself saying when I pictured myself as a parent has grown over the years.
I never pictured myself as just a rapper; I always wanted to act and do whatever else I could do. I always felt like I could do a lot of different things.
I am a big outliner. For my adult book, 'The Visibles,' I did not outline, and it took me two years to write because I just didn't outline, and I had no path.
I had pictured myself as a filmmaker but I had never pictured myself as a director if that makes any sense at all.
I always looked up to Slash from Guns N' Roses, and I always pictured myself being a rock star and playing the guitar, just going crazy.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
When I pictured myself in the NBA, I always imagined myself with an older guy taking me under his wing.
Colouring does not depend on where the colours are put, but on where the lights and darks are put, and all depends on form and outline, on where that is put.
I outline fairly extensively because I'm usually dealing with real events. I don't need to give myself as much information as I used to, but I still like to have two pages of outline for every projected 100 pages of manuscript.
I've found that in fiction - and this is just the kind of writer I am - I can't really work from an outline. I have a vague idea of the characters at the beginning of the book, and then I have a vague idea of whatever the end of the book will be, but I can't approach creative nonfiction like that.
I could never have pictured myself writing a book when I was 25 years old. My mom was an English teacher but I wasn't that way growing up.
I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. “I pictured you,” he said. “I just didn’t know what you looked like. “And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.
I never outline. I don't work from an outline. I have no idea where the book is going. I mean, even two-thirds of the way through, I don't know how it's going to end.
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