A Quote by Sarah Dessen
I think readers are just looking for things that maybe they recognize or can relate to in the books.
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We all fail, and we all have weaknesses. I think that's what helps us relate to characters we see on TV or read in books, is that we recognize our frailties within them and maybe don't feel so alone. We get to learn from their mistakes.
I don't know, maybe we're always looking for the right place, maybe it's within reach, but we don't recognize it. Maybe to recognize it, we have to believe in it.
I believe in books that do not go to a ready-made public. I'm looking for readers I would like to make. To win them, to create readers rather than to give something that readers are expecting. That would bore me to death.
I hope that readers will tear through my books because they can't stop themselves - and then, maybe, read them again and find new things there.
The most important thing is readers. I've got a huge Twitter following, but I don't really think it sells books; I don't think a huge Facebook following sells books - although these things aren't bad, of course.
I think that opening up on Twitter helps people see that there are things that I deal with that they can relate to. Maybe it's not exactly the same as having a famous mom, but maybe their dad puts pressure on them to be a doctor, and they don't want to be a doctor.
I'm into looking at things from the other point of view. And if you look at who votes in the Oscars, mostly older Jewish guys, they're going to vote for stuff they relate to. Do they relate to NWA? I doubt it.
As creators and as readers, we need to always be pushing it - by looking for the books, looking for the artists and people and stories to support what we feel to be a better representation of all women. Of real women.
I was starting to recognize a corner I was driving myself into: that all writing could do was refer to things that had already been written. I'm making the margin, but the margin of a book that already exists. I was having this exhilaration at, but at the same time horror of this recognition that I'd driven myself into the world of only books. This is a world of the previously written, and maybe I don't have to add to it, maybe all I can do is measure it.
I think the best writers are voracious readers who pick up the cadences and the feel of narration through a number of different books. And you begin by maybe copying the style of writers that really knocked you out.
It is not the weariness of mortality, but the strength of divinity, which we have to recognize in all mighty things; and that is just what we now never recognize, but think that we are to do great things by help of iron bars and perspiration. Alas! we shall do nothing that way but lose some pounds of our own weight.
The novelist in me is probably hiding behind all the stories I write, looking for ways to connect them and continue the conversation with readers. Maybe I'm writing one long narrative, and each book, however different from the last, is just a chapter.
I've had people say very dismissive things about my books, but I also feel like I probably have more readers because I'm a woman. I mean, more readers are women and more people who buy books are women, so I don't feel like it's a total disadvantage to be a female writer.
It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.
I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.
I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.'
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