A Quote by Sarah Dessen
I think part of the problem sometimes is that there's so much happening in my books, to whittle it down into a single script is hard.
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I might write four lines or I might write twenty. I subtract and I add until I really hit something I want to do. You don't always whittle down, sometimes you whittle up.
I have a reading problem and it's hard for me to read books. But I had no problem with the 'Emerald Forest' script.
Some actors count their lines as soon as they receive a script. I'm the opposite. I try to see how many lines I can whittle down. You can say just as much in 4 as you can in 14.
Sometimes I will read the whole script just to see what my character is doing, but I won't touch a script that I'm not in because it's just so much more exciting as a fan to me to watch the show as it's happening.
Look at all the things that can go wrong for men. There’s the nothing-happening-at-all problem, the too-much-happening-too-soon problem, the dismal-droop-after-a-promising-beginning problem; there’s the size-doesn’t-matter-except-in-my-case problem, the failing-to-deliver-the-goods problem…and what do women have to worry about? A handful of cellulite? Join the club. A spot of I-wonder-how-I-rank? Ditto.
When you're excited about a project, sometimes it's hard to put a script down.
I love making the backstory for myself. I think it's important. Every part I play, I work on the backstory. If it's fully written out in the script, or there are intimations of it in the script, fine. If not, fine, no problem. I'll fill it in, or I'll create what it is.
When I read the script, I liked the script very much and I thought it was a marvelous part for her, because I think it is a change of pace. I mean, we know how wonderful she is in romantic comedy.
Sometimes I'm drawing onto a computer directly, sometimes I'm drawing on paper , so I can't really talk about drafts. It's just like having soft clay until it hardens. At least as much of the problem has to do with the decisions of what to represent, how to represent that, and how to reduce it down. The words in the balloons aren't particularly poetic necessarily, but it has the same problem as poetry, which is that one has to do great reduction. And if I tried to draw everything, you'd just have a tangled mess of a picture. The stripping down takes much longer than building up.
I'm getting more selective, the more I do. As an actor, you want to do a variety of things, but first and foremost, it's the script, the quality of the script and the part. If the script is great and it's a part that I believe and I believe the world, that's rarer than you think.
I'm a parent. I have kids, and what's happening with our waters, and our oceans, and what's happening with deforestation, and all these things that human beings are having negative impacts on at this time, are concerning to me. I wanted to do whatever I could to be a part of the solution and not just be a part of the problem.
I think part of the beauty of being a pop phenomenon is that you're going 1,000 miles per hour, and it's all happening - and that's also the hard part about it.
Not knowing what's happening, from script to script, as an actor and as a character, lends itself to the same tension and anxiety of not knowing what's happening.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
I'm always sitting down and talking to people that are doing independent features. It depends on the project and the quotient of the people that are involved. There are a lot of different reasons [to do something], like a particular script that resonates with me, in a particular way. It may not so much even be about the part, but what the script has to say.
I think Obamacare has now taken over almost from regulation, which is ridiculous what's happening with overregulation, as the biggest single problem for opening and keeping businesses going.
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