A Quote by Sarah Dunant
Together he [Girolamo Savonarola] and his archenemy Lorenzo [de' Medici] would have been the stuff of gargoyles. One could almost imagine the diptych in which their profiles confronted each other, their noses as powerful as their personalities.
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The movie that we could've finished in 2001 would've sucked. The movie that we could've finished in 2002 would've just been a disaster, even into 2003, it would've been very cobbled together, amateuristic stuff. But as we went along, we really did stumble upon some accidental themes, and with the things you could do with computers, and all that sort of stuff just sort of really accelerated into where the stuff that we could do right here at my house became - you could almost do anything.
He and his wife loved each other and brought each other daily pain. Everything else he was doing in his life, even his longing for Lalitha, amounted to little more than flight from circumstance. He and Patty couldn't live together and couldn't imagine living apart. Each time he thought they'd reached the unbearable breaking point, it turned out that there was still further they could go without breaking.
Bringing together disparate personalities to form a team is like a jigsaw puzzle. You have to ask yourself: what is the whole picture here? We want to make sure our players all fit together properly and complement each other, so that we don't have a big piece, a little piece, an oblong piece, and a round piece. If personalities work against each other, as a team you'll find yourselves spinning your wheels.
I will say with Lorenzo de Medici that those who do not hope for another life are always dead to this one.
When you're trying to enter something as intimidating as comedy, starting out with a support network of likeminded people is a powerful thing. It was natural we'd end up working together because we went through those first petrifying moments together. We created gigs for each other, slapped each other on the back, and protected each other.
Gargoyles were the complement to saints; Leonardo's caricatures were complementary to his untiring search for ideal beauty. And gargoyles were the expression of all the passions, the animal forces, the Caliban gruntings and groanings which are left in human nature when the divine has been poured away. Leonardo was less concerned than his Gothic predecessors with the ethereal parts of our nature, and so his caricatures, in their expression of passionate energy, merge imperceptibly into the heroic.
Good collaboration essentially boils down to personalities who work well together and are able to integrate each other's notes and ideas without killing each other.
I just can't imagine my life without Dostoevsky and The Brothers Karamazov. I can spin off of that and talk about Crime and Punishment and Tolstoy. I could talk about other novels, but for me it's Dostoevsky. His sheer size and grandeur, his sacramentality, his ecclesiology, and his sense of the human predicament are as powerful as it gets. Can't imagine not reading the Russians.
Sultan Mehmet had good relations with the Medici family and other powerful Italian clans, especially in Venice and Florence, and at his request, they sent him artists and craftsmen by the dozen.
I've been fascinated with gargoyles since I was a kid. I took a high school trip to Europe, the 8 countries in 5 weeks kind of trip. Even then I collected postcards of gargoyles. Then I sort of forgot about it. You flash-forward a few years and I'm at Disney, we're looking for an idea to base a show on. I was running series development at the time at Disney TV Animation. And we came up with the Gargoyles comedy series. Which didn't sell!
I believe if the white and colored people could get together and be let alone, they would understand each other and consequently love each other.
The sciences have sworn among themselves an inviolable partnership; it is almost impossible to separate them, for they would rather suffer than be torn apart; and if anyone persists in doing so, he gets for his trouble only imperfect and confused fragments. Yet they do not arrive all together, but they hold each other by the hand so that they follow one another in a natural order which it is dangerous to change, because they refuse to enter in any other way where they are called.
If we could only make our hands move as actively as our tongues, what wonders we could accomplish! Almost everyone loves to hear his own voice. It is so easy, too! Yet if we could say less and do more for each other's good, not alone would every home be happier, but communities would be enriched thereby. Instead of criticism by speech, to show someone a better way to do a thing would be of much greater value.
I remain persuaded of the inevitable and necessary complementarity of man and woman. Love, imperfect as it may be in its content and expression, remains the natural link between these two beings. To love one another! If only each partner could move sincerely towards the other! If each could only melt into the other! If each would only accept the other's qualities instead of listing his faults! If each could only correct bad habits without harping on about them!
Lorenzo de' Medici seeks highly skilled, aesthetically oriented individual to conceive and implement several major public projects. You are a generalist with sound training in structural engineering, synthesis of pigments and Christian iconography. Some climbing involved
Imagine a world in which generations of human beings come to believe that certain films were made by God or that specific software was coded by him. Imagine a future in which millions of our descendants murder each other over rival interpretations of Star Wars or Windows 98. Could anything -- anything -- be more ridiculous? And yet, this would be no more ridiculous than the world we are living in.
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