A Quote by Sarah Fielding
[Allegory] is a flight by which the human wit attempts at one and the same time to investigate two objects, and consequently is fitted only to the most exalted geniuses.
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You can make the Ring into an allegory of our own time, if you like: and allegory of the inevitable fate that waits for all attempts to defeat evil power by power.
By wit we search divine aspect above,
By wit we learn what secrets science yields,
By wit we speak, by wit the mind is rul'd,
By wit we govern all our actions;
Wit is the loadstar of each human thought,
Wit is the tool by which all things are wrought.
Human wisdom remains always one and the same although applied to the most diverse objects and it is no more changed by their diversity than the sunshine is changed by the variety of objects which it illuminates.
Now, if the book of Genesis is an allegory, then sin is an allegory, the Fall is an allegory and the need for a Savior is an allegory - but if we are all descendants of an allegory, where does that leave us? It destroys the foundation of all Christian doctrine-it destroys the foundation of the gospel.
There is, I know not how, a certain presage, as it were, of a future existence; and this takes the deepest root, and is most discoverable, in the greatest geniuses and most exalted souls.
There is a very remarkable inclination in human nature to bestow on external objects the same emotions which it observes in itself, and to find every where those ideas which are most present to it.
Education is the leading human souls to what is best, and making what is best out of them; and these two objects are always attainable together, and by the same means; the training which makes man happiest in themselves also makes them most serviceable to others.
It is only a novel... or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language
The periods between my 11th and 18th years remain the most vivid in my memory because this was the time of my first attempts at experimentation, which might never have been made had I lived in the city. I made hazardous investigations of the principles of flight, launching myself from the tops of haystacks with a homemade glider.
The most natural, and, consequently, the truest and most intense of the human affections are those which arise in the heart as if by electric sympathy.
What actions are the most excellent? Those, certainly, which most powerfully appeal to the great primary human affections: to those elementary feelings which subsist permanently in the race, and which are independent of time. These feelings are permanent and the same; that which interests them is permanent and the same also.
Body and soul are not two different things, but only two different ways of perceiving the same thing. Similarly, physics and psychology are only different attempts to link our experiences together by way of systematic thought.
I'm a full-time believer in writing habits...You may be able to do without them if you have genius but most of us only have talent and this is simply something that has to be assisted all the time by physical and mental habits or it dries up and blows awayOf course you have to make your habits in this conform to what you can do. I write only about two hours every day because that's all the energy I have, but I don't let anything interfere with those two hours, at the same time and the same place.
It's, I mean, for me, it's the same as training with my crewmembers. We share the same first part of the flight. We all go together. It's the most critical part of the flight, the ascent.
Men of superior vivacity and wit, when they take a wrong turn, are generally worse than other men: because wit, consisting in a lively representation of ideas assembled together, gives every sensible object those heightening touches, and that striking imagery, which is unknown to men of slower apprehensions: wit being to sensible objects, what light is to bodies; it does not merely show them as they are in themselves: it gives an adventitious colour, which is not a property inherent in them: it lends them beauties which are not their own.
I despair of ever receiving the same degree of pleasure from the most exalted performances of genius which I felt in childhood from pieces which my present judgment regards as trifling and contemptible.
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