A Quote by Sarah Gadon
Sometimes when you're working on a period piece, there's this tendency to be nostalgic about the period and do everything superglamorous, which can end up looking cliche.
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I often tell people who want to write historical fiction: don't read all that much about the period you're writing about; read things from the period that you're writing about. There's a tendency to stoke up on a lot of biography and a lot of history, and not to actually get back to the original sources.
When young men or women are beginning life, the most important period, it is often said, is that in which their habits are formed. That is a very important period. But the period in which the ideals of the young are formed and adopted is more important still. For the ideal with which you go forward to measure things determines the nature, so far as you are concerned, of everything you meet.
I maintain that the period during the first half of the 1990s, the period in which rising inequality reached its peak, was a period in which we came very, very close to a demagogic immobilization of racism in this society.
A period piece is a great opportunity for an actress. I love acting because I love to pretend, and when you're doing a period piece, then even the time you're in is pretend, so there's that much more to play with.
I have friends who say, 'I don't want to do period now because I have done a period piece and I need to wait for two years' - I don't have that.
I was incredibly nervous about doing a period drama. I thought that to play period, you had to be English-looking and blonde and very well spoken, and have gone to drama school.
I am definitely of the method-acting school. Everything to me is about sound. I don't dress up in period costumes or anything like that. I'm very aural. When I'm working, I try to soak up the sounds of an era.
Everything has been for the [President] election for the last couple of months. Since the Democratic National Convention, it's been a dead run to get out as much content as possible and do as much as possible. Then, I go back to writing the screenplay I was working on, which is an original piece - a period piece that I will hopefully finish a couple of months after that, and hopefully I can convince some unsuspecting fool studio to buy.
I believe that if we think back to the period from F.D.R. through, let us say, Bush I, until the end of the Cold War, we lived through an artificial period in which American interests and European interests essentially dovetailed.
Youth is the period in which a man can be hopeless. The end of every episode is the end of the world. But the power of hoping through everything, the knowledge that the soul survives its adventures, that great inspiration comes to the middle-aged.
The mistake we make with many people - not just Russia - is that we believe we have the model, and there is a sort of a condescension in our dialogue with other societies, which was especially painful in several administrations to Russia. I think in Russia, the Yeltsin period is not considered a period of great achievement, but a period of corruption and humiliation.
On movies, I like to involve the cast in the writing of the script. I like to have a rehearsal period, after which I do the last draft, which gives me a chance to incorporate anything the actors have come up with during the rehearsal period, so I'm very inclusive as a writer.
There's a lot of fiction from that period that we're nostalgic for.
You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.
This mortal probation is a brief period-just a short span, linking the eternity of the past with the eternity of the future. Yet it was to be a period of tremendous importance. It is, in fact, the most vital period of our entire eternal existence. In this mortal state we come face to face with innumerable temptations and pressures. Sometimes we come in contact with advocates of wrongdoing, disobedience, and sin. Lucifer is going about tempting those who can be tempted to see if he can lead them astray.
Sometimes you have a period piece where you have to research around it but, if the writers have done their homework well enough, the information is all in the script.
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