A Quote by Sarah Gadon

I prefer the European films that are like, 'No, it's over! They both die. The End.' — © Sarah Gadon
I prefer the European films that are like, 'No, it's over! They both die. The End.'
I kind of prefer bouncing back and forth between theater and films. It's like having the best of both worlds, both very different experiences.
I like independent films... European films. I do go and see popular films as well because my kids force me.
I prefer thrillers but when its thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
I prefer thrillers but when it's thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
Although I've watched most of Spielberg's films, I haven't watched many animated films. I prefer reality over animation.
I'm coming from an artistic background, from Europe, making films with Lars Van Trier like 'Breaking the Waves,' 'Dancer in the Dark,' all his films, 'The Kingdom.' But I like both, I like the totally artificial, commercial films where the actor has five or six bodyguards, I like that.
Both the Eurozone and European Union is like the end of the Roman Empire. It's already started. In a few years' time it will not be there anymore. Don't ask me if it will be two years or ten years but the end is near. Like the Roman Empire, it's gone.
I'm something of a black belt at break-ups. I have had two long-term relationships in my life, both of 10 years, both resulting in children, and both very much over. Things end. It is how you manage them being over that's key.
I don't like these commercial films I do. I'd far prefer to do more artistic films, more cult films.
Come to think of it, some of the most special films in my career were 'City Of Life' and 'Happy New Year.' For both these films, I stayed over a month in Dubai and just when I was thinking that I need one more film like that, that's when 'Kung Fu Yoga' happened.
It's going to sound like the easy answer, but I love them both. I do! I really don't prefer one over the other. With movies, you really dive into a character for two to three months, but then it's gone. With a TV series, you have a constant location you're living in, and you're always working on the same character along with people who are like your own family. I'm lucky to have done both.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.
I love European movies and I kind of grew up on European films.
I used to prefer rapping over singing, but now I'm a little 50/50 about it. I like doing both, a lot - equally.
It wasn't my childhood fantasy to work with Truffaut or be in obscure films. I like Midnight Run better than I like The Bicycle Thief. It was films like Die Hard and Bladerunner that made me want to be an actor.
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