A Quote by Sarah Gadon
Since 'A Dangerous Method,' I've had meetings with everyone from J.J. Abrams to the producers of 'Drive.' And they all have the same thing in common; they say: 'Wow you worked with Cronenberg.' He gave me instant film cred.
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After he made up his mind to spend the rest of the war in the hospital, Yossarian wrote letters to everyone he knew saying that he was in the hospital but never mentioning why. One day he had a better idea. To everyone he knew he wrote that he was going on a very dangerous mission. "They asked for volunteers. It's very dangerous, but someone has to do it. I'll write you the instant I get back." And he had not written anyone since.
Sometimes I go, 'Wow, this is a director I really, really want to work with,' like David Cronenberg. I haunted David Cronenberg for years before, and then he offered me a role.
Before that film, I was nobody. Each job I got, I was so excited. Each paycheck I got, I thought, 'Wow, I'm getting paid to act.' But 'The Matrix' gave me so many opportunities. Everything I've done since then has been because of that experience. It gave me so much.
In 1950, when the Giants signed me, they gave me $15,000. I bought a 1950 Mercury. I couldn't drive, but I had it in the parking lot there, and everybody that could drive would drive the car. So it was like a community thing.
In 1950, when the Giants signed me, they gave me $15,000. I bought a 1950 Mercury. I couldn't drive, but I had it in the parking lot there, and everybody that could drive would drive the car. So it was like a community thing
I'm just blessed that I was able to have guys around me that had some of the same goals. The man above gave me a gift and he gave me friends and a mentor that can help me reach my goal and reach my potential. And we all had the same goal, so it wasn't hard for us to get, you know, off track because we all wanted the same thing.
I worked in a schizophrenic home when I was an undergrad. You learned to be jaded to the crazy things they would say to you, but there was one man that I always gave crazy respect to, even though he would say the exact same thing to me every single day.
You can't please everyone. Just because I don't behave a certain way, some folks will say you don't have any street cred. I've pretty much had to put up with that since I was a little kid, just because I was raised to communicate in a certain fashion. Some people didn't like it.
When I first learned about Abrams and saw the types of books they were making, I knew I wanted my books to be published by them. Abrams books are special-when you hold one in your hands, you have the feeling that this book needed to be made. I once heard an artist say that books are fetish objects-I think Abrams gets that, because their books demand to be treasured. So who better to give comics art its proper due? I feel privileged to have found a home with Abrams.
Polaroids were the instant thing to get a photo back when I started it. You had to wait two days to get your film back if you had a real camera, and I was more of an instant-gratification guy.
I started presenting when I was 16, and because TV is such a small world, you often end up working with the same people. I would say I've worked with pretty much the same circle of people ever since, so in a way I have always felt cradled by them, protected; they've looked out for me because they've known me since I was a child.
Everything shifted for me after 'Rush.' It wasn't as financially successful as other things I'd done, but it gave me more movement, more options, more doors opening, more meetings. All of a sudden, it's, 'Oh, wow! You're an actor!'
I've worked with Bette Davis, John Wayne, Jimmy Stewart, Henry Fonda. Here's the thing they all have in common: They all, even in their 70s, worked a little harder than everyone else.
It is because of me — I definitely think [my show] has helped the movement. Before it came out, everyone was still a little apprehensive about [same sex relationships]. Then they realized, 'Wow, everyone is really into this stuff, and it is fine.' The next thing you know, [gay marriage] is legal.
Everybody gave 100%. I mean everyone, because they all knew that the film had the bones and the heartbeat of something that could be good. And everyone was in on it and wanted it for me and wanted it for Roger and Beau.
I worked with him on 'Agneepath,' where we acted together. I played his uncle. Everyone, including Amitabh himself, wondered how I would play his uncle since I was younger than him. I knew what I had to do. I shaved my head, gave myself a receding hairline and some bald patches. He was shocked to see me when he saw me for the first time.
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