A Quote by Sarah Greene

I grew up in musicals actually, and the last show I did in Dublin, 'Alice in Funderland', was a musical, and one that was written around my voice, which was nice. — © Sarah Greene
I grew up in musicals actually, and the last show I did in Dublin, 'Alice in Funderland', was a musical, and one that was written around my voice, which was nice.
I did a lot of musicals when I was young and finally went to drama school to try and get away from doing musicals... and of course the first thing that happened when I got out is I got offered a musical. And then when I got to the Royal Shakespeare Company, which was my next job, I ended up doing a bloody musical!
I grew up in L.A. I actually grew up in the Valley, which was a pretty amazing place to grow up because everybody has nice, big backyards, and I was kind of a little nature being.
I've auditioned for musicals a lot, but I think my voice didn't really match what they were looking for. I went to school for musical theater for a year and dropped out. Legit musicals are not quite my forte.
I grew up doing musicals. I've done so many musicals in my life, I kind of got them out of my system. But, I certainly would be open to them. Rocky Horror Show is a big favorite of mine.
I've got quite a low voice, so it's not your typical musical theater voice, but I do love musicals; they're a very different experience.
I actually grew up around the corner from where Harold Pinter did. If you want a snapshot of my childhood, me and Pinter, we essentially grew up together.
All the more a cheesy musical seems fake, so it requires a level of honesty to be injected or an acknowledgement of that which is fake and fun about musicals, and it isn't necessarily escapist. Like there are great musicals like Once, which feel very almost like a mumblecore musical. I love Once. It's great.
When I first got to New York, all I did was musicals. After a few years I had to make a conscious choice to close the door on musicals, because I was getting pigeon-holed as a musical theater performer.
Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.
I grew up a big fan of the J. R. Ewing character of the 'Dallas' TV show, and I grew up around people who were very similar to J. R.: they had come into a ton of money. And they loved to flaunt it and loved to drive fancy cars and wear the big cowboy hats and nice suits.
I didn't know a single musical soundtrack, really, growing up. Nobody listened to musicals. That wasn't a thing I did.
The secret of my success is my mother, who was from Dublin. All my relations are in Dublin or in the west, or as I found out, we went to Rostrevor in Northern Ireland to film and I got out, while they changed cars around, and this man said to me: "You know you have cousins in this town? And they're coming down to see you..." And so they did. I'm sorry we didn't go to a lot more places, so that I could find a lot more cousins. So, that was good. It's entirely because my father was also brought up in Dublin. So, that's my link.
I grew up in a time when the only musicals were animated musicals because nobody wanted to see people to break into song.
I love musicals. I grew up on musicals.
I grew up with gay family members, and I went to a performing arts high school. So I grew up in children's theater, musical theater, and all of my life has been around the LGBT community.
I mostly did musicals and concerts when I was younger, and then I realized I don't quite have the voice for it, so I went into acting, which I enjoy more.
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