I have written about 240 books and some short stories, too. It's taken me many years.
I started writing the book without realizing I was writing a book. That sounds stupid, but it's true. I'd been trying and failing to make a different manuscript work, and I thought I was just taking a break by writing some short stories. I'm not a very good short story writer - the amazing compression that is required for short stories doesn't come easily to me. But anyway, I thought I'd try to write some short stories. And a structure took shape - I stumbled upon it.
I have seldom written a story, long or short, that I did not have to write and rewrite. There are single stories of mine that have taken me ten or twelve years to get written.
Writing checks to the IRS that include strings of zeros does not bother me ... Overall, we feel extraordinarily lucky to have been dealt a hand in life that enables us to write large checks to the government rather than one requiring the government to regularly write checks to us-say, because we are disabled or unemployed.
I wanted to be a world champion of some sorts since I got into the industry, when I was 15 years old, and I was able to do that.
I made some shorts that I'm not in. I think because I write so many short stories, it's not that hard to come up with characters that are not me. But my way into making movies has been through performing. My very first short film, I played a child and her own mother. So in some ways, to me, my great achievement so far is just that I've gotten all these other people to play the other parts. That's what makes it a real movie.
I paint and I draw and I write and I do other things too, and recently some people at school were asking if I'd ever publish any of my work. But I almost feel like I would have to publish it under another name because there's a definition of me out there that feels kind of stuck in the moment when it was formed.
For me, my realism has stood me over 15 years, so the kind of films that I have done has garnered enough respect for me to be able to survive the industry.
You can write when you're dyslexic, you just can't read it. But I started writing short stories as a child and I found the short story format a real nice one. I love short stories and I love short documentaries or short films of any kind.
Short fiction isn't my natural form. It's taken a lot of work over the years to finally feel more comfortable writing stories under 80,000 words!
The rules seem to be these: If you have written a successful novel, everyone invites you to write short stories. If you have written some good short stories, everyone wants you to write a novel. But nobody wants anything until you have already proved yourself by being published somewhere else.
Without always meaning to, I write really long short stories, 60-pagers, 90-pagers, pieces of fiction that are too long for all but the bravest magazines to print, and too short for all but the bravest book publishers to publish.
I feel, as an artist, it's important for me to write, and that's a big part of what my journey is - being able to write my stories and talk about stuff.
I'm one of those writers who started off writing novels and came to writing short stories later, partly because I didn't have the right ideas, partly because I think that short stories are more difficult. I think learning to write short stories also made me attracted toward a paring down of the novel form.
I have some other novels I want to write. I have a lot of short stories - I love the short story.
It took me a long time to know enough about writing to really write short stories. You can't just immerse yourself, as you do in a novel, and see where everything goes. Novels are a very flexible, accommodating form. Short stories aren't.