A Quote by Sarah Hall

Having judged a few competitions, it's clear that novelists are often the laziest short story writers. — © Sarah Hall
Having judged a few competitions, it's clear that novelists are often the laziest short story writers.
In Hollywood, they think they know it all. You, as a writer, are essentially an outsider. Novelists and short-story writers, especially.
A lot of artists start out as failed poets, then move on to being failed short-story writers before they finally break through to the big time and become failed novelists.
I've always loved short stories. Even before I was a writer, I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me.
I really do believe some people are naturally novelists and some people are short story writers. For me, when I was in middle school or high school, I started with novels.
It is a commonplace to say that novelists should be judged by their work rather than their private lives or their publicly expressed views. And writers, of course, subscribe enthusiastically to this idea.
I have always loved short stories. I have been at least as influenced by the short story masters as I have been by novelists.
The makers of the short story have rarely been good novelists.
I've always loved short stories. Even before I was a writer I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me. Alice Munro, I felt that way about from an early time. Grace Paley.
Great novelists are philosopher novelists - that is, the contrary of thesis-writers.
Basically, all novelists should want to tell a story, and if they don't want to, they shouldn't be novelists. I think story-telling is important and underrated.
It's difficult to write a really good short story because it must be a complete and finished reflection of life with only a few words to use as tools. There isn't time for bad writing in a short story.
I love the necessary ambiguity of short stories - there simply isn't time to render every detail, so much of the story that orbits the literal prose must happen in the reader's imagination. Who knows, maybe the dwindling attention spans means a lucrative future for short story writers.
Always in the short story there is this sense of outlawed figures wandering about the fringes of society.... As a result there is in the short story at its most characteristic something we do not often find in the novel--an intense awareness of human loneliness.
Great writers know what to cut out. It's the same in life. Clear ambitions. Clear relationships. This is the stuff of good story.
anything being perceived as being superior takes the noun. And everything that isn't, that's judged to be inferior, requires an adjective. So there are black novelists and novelists. There are women physicians and physicians. Male nurses and nurses.
The forward march of American literature is usually chronicled by way of its male novelists. There is little sense, in that version of the story, that women writers of those eras were doing much worth remembering.
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