A Quote by Sarah Hanson-Young

Banning refugees from fleeing west Africa is like shuttering up the windows while a house burns down. — © Sarah Hanson-Young
Banning refugees from fleeing west Africa is like shuttering up the windows while a house burns down.
If you look at the movement of refugees, in Vladimir Lenin's phrase, "the people who voted with their feet," the movement of refugees until comparatively modern times was overwhelmingly from West to East, not from East to West. Refugees of all kinds were constantly fleeing from Christendom to the Islamic lands. Jews of course and Muslims of course, but even some Christians and the movement of refugees went overwhelmingly that way.
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Cubans who arrive and can prove that they are refugees who are truly fleeing political persecution will continue to qualify as refugees. The only thing that I've asked for is to do away with automatic benefits granted to someone, basically, Cubans who come from Cuba, if it cannot be verified that they are refugees fleeing political persecution, so they will be treated the same way as any other immigrant who arrives in the United States, which is that legal immigrants in the United States don't have the right to any federal benefits for five years.
Syrian refugees fleeing to Europe do not go through anything like the rigorous process experienced by those who are coming to the States, and the volume of Syrians fleeing to Europe is orders of magnitude larger than it is to the United States.
Cubans must prove that they're political refugees. And if they can prove that they're really fleeing persecution, well, they would qualify as refugees.
but the real enemy is the cold. It steals up on you quieter than Will, and at first you shiver and your teeth chatter and you stamp your feet and dream of mulled wine and nice hot fires. It burns, it does. Nothing burns like the cold. But only for a while. Then it gets inside you and starts to fill you up, and after a while you don't have the strength to fight it. It's easier just to sit down ot go to sleep. They say you don't feel any pain toward the end. First you go weak and drowsy, and everything starts to fade, and then it's like sinking into a sea of warm milk. Peaceful, like.
We all live in a house on fire, no fire department to call; no way out, just the upstairs window to look out of while the fire burns the house down with us trapped, locked in it.
Composing is like driving down a foggy road toward a house. Slowly you see more details of the house-the color of the slates and bricks, the shape of the windows. The notes are the bricks and the mortar of the house.
The supportive care that we're able to provide in the United States is so much better, so much more sophisticated, than what's available in West Africa. ... So we can move that needle of survival way down. Even Doctors Without Borders in West Africa are moving the fatality rate from 50 percent down to 30 percent-I bet we can do substantially better than that here.
Refugees are threatening, not just to Americans, but also in many countries the world over. And it's partially because, unlike immigrants, refugees do not choose where they're going to go or why they're fleeing, and they are unwanted populations. They bring with them the stigma of disaster.
Love is kind of like when you see a fog in the morning, when you wake up before the sun comes out. It's just a little while, and then it burns away... Love is a fog that burns with the first daylight of reality.
Safety concerns are reasonable. Banning refugees is certainly not.
[Vladimir] Putin wants to keep [Bashar] Assad in power and expand his own military base in Syria, whatever the cost. I even believe he has an interest in more and more people fleeing the country. The flow of refugees improves his negotiating position toward the West, including the German chancellor.
Love attacks. It sneaks up like a pride of lions or a pack of hyenas and eats your heart out while you watch. Love is the bully on the playground who takes your lunch money and gives you a black eye in return, the arsonist who burns your house down with you in it, the witch who lures you into her home with candy and boils you alive for dinner. Love is raw, and violent, and instantaneous. You don’t fall in love; you get trampled by it.
I was drawn to West Africa. I did listen to a bunch of different styles of African music, and there was something about the percussion and the drums of West Africa, and the energy, that felt so cinematic to me.
Nothing burns like the cold. But only for a while. Then it gets inside you and starts to fill you up, and after a while you don't have the strength to fight it.
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