A Quote by Sarah Harding

I was a big Drum and Bass junkie when I grew up. — © Sarah Harding
I was a big Drum and Bass junkie when I grew up.
I grew up on the pirate radio scene which started out as drum 'n' bass music. U.K. garage picked up and got bigger on the back end of that.
In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
My dad was a kind of semiprofessional Dixieland-type drummer, and I learned the drums from him. When I was about twelve, we bought our first Ludwig drum set from a pawnshop - a marching-band bass drum, great big tom-toms, and big, deep snare drums.
Where I grew up, there was only one CD shop, and I didn't really like school, so we'd register, then bunk off, and we would be round my mate's house making drum-and-bass mix tapes.
I like a bass drum. A big one.
When Mr. Ludwig invented the bass-drum pedal, that's what made the drum set possible.
I'm a big action junkie. I grew up on the '80s action movies - the bad ones and the good ones.
I can preach until your deaf and dumb, I'm in that soul saving army beating on that big bass drum.
I couldn't name more than a couple of good drum'n'bass acts, and I have no idea what's big in the dance world right now.
Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.
The only time I can ever remember Steven crying over any of it was after my treatment, when I tried to use my foot on his bass drum pedal, and we realized I could never play a drum set.
Boy you got my heartbeat runnin away Beatin like a drum & it's comin your way Cant you hear that Boom badoom boom boom badoom boom bass He got that super bass Boom badoom boom boom badoom boom bass Yeah that's that super bass
The bass should be the note of the bass drum, and then you've got the engine of the band that everything else builds on. Everything else, the guitar, the keyboards, is a colour.
Amon Tobin has been producing electronic music since the mid-'90s, and was a key figure in the rise of drum-and-bass. He's also written some of the genre's most compelling tracks, in the process delving into jazzy breakbeats and bass lines.
When I was growing up in the 1980s in the Midlands, I felt abandoned and misunderstood. Then I chose drum 'n' bass and graffiti as my subcultures - which didn't really help.
I ended up doing a job that I absolutely love. I grew up a college football junkie.
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