A Quote by Sarah Harding

I was recording dance tracks when the auditions for 'Popstars: The Rivals' came along. — © Sarah Harding
I was recording dance tracks when the auditions for 'Popstars: The Rivals' came along.
You are a 64-track recording - the tracks are always there, they're always with you. Sometimes the harsh tracks are cranked up and the rest are rolled down to zero. Other times the sweet tracks are high and the darkness is low. But it's all you.
Slowly but surely, people don't see 'Popstars: The Rivals,' they see Girls Aloud. We're a band in our own right.
In itself, I spent a year writing, you know all these different songs and when it came to recording the record, I just pulled out all the tracks I liked the most.
Until House came along I don't think the English made very good dance records, you know, there were very few really good English Rap records, whereas once House came along all of a sudden we started and now I think we probably lead the world, and have overtaken America in dance music.
I'm really anti-option, so computers have been my nightmare with recording. I don't want endless tracks; I want less tracks. I want decisions to be made.
When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.
Dance music was on its arse before we came along.
My music represents walking on train tracks in the middle of the woods, somewhere in the middle of nowhere. You walk down the tracks and you're walking every two tracks, and you've got your headphones on, and on both sides you've got forest, and in your rear is this long line of train tracks that's weaving through the woods. It's a very cool place, to walk along the train tracks because of the rhythm of walking every few feet through the woods. It's a good place to go dream.
Dance music is about having a good time, and a lot of dance music is very serious now. When progressive house and progressive tech came along, it was kind of serious, but it's all context as well.
When I came to Mumbai to audition for a dance reality show, I was in top 100. I doubted myself and did not get through. It was a lesson for me... After that day, whenever I used to go for auditions, I never doubted myself.
I don't have a formal home recording studio, but I can record tracks on my computer upstairs in my office.
If you want to make people dance, you need to follow certain rules. Build-ups and breaks and stuff. I like to be free. On top of it all, I never really felt that I'm good at making fat-sounding dance tracks.
The dance community suddenly came alive with programs like 'So You Think You Can Dance,' 'America's Best Dance Crew' and 'Dancing With The Stars.'
When I was going on auditions, it was nerve-racking. I'd always say to my mom that it would be awesome if I could get a series. When Modern Family came along, I said, 'You know what, Mom? I believe I'm going to get this role.'
If something comes along that's really good, and I think I would be good for it, I'd be happy to do it. But not too many came along. I mean, they came along for the first, I don't know, 15, 18 films, but I didn't do that many. But then I didn't want to do the kind of junk I was seeing.
I always wondered how I could tell when the right one came along - but it was easy. He was the only one that came along.
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