A Quote by Sarah Harding

My songs are very confessional and honest. — © Sarah Harding
My songs are very confessional and honest.

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Most of the songs are, in a roundabout way, actually addressed to myself, there's a certain aspect of the songs that's very confessional, very unadulterated...It was a very unfettered, spiritual experience.
As a reader I don't distinguish between confessional and non-confessional work. After all, how do we even know that certain "I" poems are confessional? It's a tricky business, this correlating of the speaker and the poet.
One of the problems with a lot of "confessional" writing is that it starts and stops with the confessional and doesn't really tie the "I" into a "we" at all. I'm still surprised at how mad critics get at that kind of confessional writing.
I hate the confessional. I love leaving the confessional. I hate going to the confessional. I would be a mess without it.
When I listen to my songs, they seem like pieces of music or art, like a painting that you look at. The reality is that, yes, when I wrote the songs upstairs or wherever, I was writing very specifically about my life or a specific subject matter that's very personal. I've never shied away from that. The vocals and the performance that come after the record, I don't think of that as confessional, but the core of the music is completely. It makes sense that people would see that as being the main thing. I guess not everyone is able to speak so candidly.
Confessionalism relates to writers of color. I think confessional poetry is in its way very Catholic, capital C. One of the formative ideas of Confessionalism, beyond psychoanalysis, is a very actual fall from grace. And, at least in America, people of color never occupy that position of grace the way that white people do. So I think that in some very actual ways the confessional mode, strictly speaking, is not possible for non-white writers.
When you hear me sit at the piano by myself and do one of those super-personal, confessional songs, that's where my true voice is.
My aim is always catchy songs, or songs with meaning and I want to write music people can relate to, about things anyone could go through, just real, honest music... songs that mean something, songs that are inspired by true life events.
I always made my songs very conversational, and if anyone ever has a conversation with me, they know I'm a very open guy, very open and honest.
Confessional poetry is, to my mind, more slippery than poems that are sloppily autobiographical; I find the confessional mode much more akin to dramatic monologue.
I get told I'm a confessional songwriter, which gets on my tits because I think of negative connotations attached to the word "confessional". I don't like the idea of songwriting being therapy. I don't want to put myself so directly in the foreground.
I don't think of my songs as sad songs. I think of them as vulnerable and honest. I crack jokes in between songs, so people don't leave feeling too dark.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
With songs, I've always pledged to be honest. I write my songs because I've lived them.
We're very good friends, we have a very honest relationship. He keeps me honest, I keep him honest. He's an incredible actor and when you have an actor like Denzel action becomes drama.
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