A Quote by Sarah Harding
You have to be able to relate to what you're singing otherwise you're just a mannequin.
Related Quotes
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
Singing allowed me to express myself in ways that I wouldn't be able to do otherwise.
God's purpose in increasing our trials is to sensitize us to people we never would have been able to relate to otherwise.
Heaven is not so terribly different from this present existence to where we can't even comprehend or understand it. Otherwise, when we arrived there, we would be completely lost and we wouldn't be able to relate to it.
dont undress my love you might find a mannequin dont undress the mannequin you might find love. shes long ago forgotten me. hes trying on a new hat and looks more the coquette then ever. she is a child and a mannequin and death. i can't hate that. she didnt do anything unusual. I only wanted her to.
A universal sound is about having everybody be able to relate to it whether you're in New York, LA, London or Australia. You have to be able to universally be brought back to a place where they can relate to you as an artist.
I'm not big on trying to label it [my rap] or trying to prove people otherwise. I'm just making records that I like and that I wanna make. I'm just making records that relate to me and that relate to my life. If you listen to what I'm saying I'm not talking about anything that isn't my life. I take pride in having truthful lyrics.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
I didn't think I was helping other people. But I think that comes hand in hand with trying to be able to connect with people, and if you make things too personal, then it's harder for people to relate to you. Otherwise, it's just them listening to you read your diary.
Sometimes I stand in store windows and pretend to be a mannequin. People are like 'hey, that mannequin looks alot like thom yorke' Then I start to sing The Gloaming and lurch toward them and they run off horrified.
The one that sticks out in my mind and has all along was the New York Times piece on Melania Trump.Calling her a mannequin and a trophy wife, which if anybody had ever said that about any - Michelle Obama was a lawyer. But Melania Trump has been a successful businesswoman. She speaks several languages. A mannequin and a trophy wife and it was just - fine, they were allowed to say that about her.
I think it's really important these days to be able to relate to how the music flows and be able to speak the same language as your bandmates and the producer, rather than just talking drums.
I just want to make everybody feel what I'm singing. And just to relate to me and know that this has been dream since I was a little girl. I've worked so hard for this, and I just want them to connect with me.
I look for songs that the listener, when they hear it, they believe what I'm singing about, that I know what I'm singing about. That's my whole deal. I try to choose songs that a male or a female can perform and relate to.
When I can write a song in a way where I feel like other people can relate to it, and I can take it past being cathartic just for me, that's when I know I can share it. Otherwise, I'd just feel like it's selfish.
"Everything must change, everything must stay the same." Those are good words to have circling around in my head. I just wish that I was able to deal with them, not by singing, but by helping myself. But singing helps, too.
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