A Quote by Sarah Harrison

The concept of preserving history, collating full archives, making them as usable as possible so the public have access to them, I really feel that it allows the public an ability to engage with their own history.
The very concept of history implies the scholar and the reader. Without a generation of civilized people to study history, to preserve its records, to absorb its lessons and relate them to its own problems, history, too, would lose its meaning.
History is like Santa Claus: a language construction. We have some registers about the existence of Santa and history - the presents under the tree, the archives - but none have really seen them.
The Constitution forbids states from banning all religion from public spaces and from making churches the ghettos of religion where all manifestations of faith are kept separate from public life. Religious people have an equal right to participate in the public square and to have their contributions to Oklahoma history and society recognized.
The bourgeois public sphere may be conceived above all as the sphere of private people come together as a public; they soon claimed the public sphere regulated from above against the public authorities themselves, to engage them in a debate over the general rules governing relations in the basically privatized but publicly relevant sphere of commodity exchange and social labor.
American Education has a long history of infatuation with fads and ill-considered ideas. The current obsession with making our schools work like a business may be the worst of them, for it threatens to destroy public education. Who will Stand up to the tycoons and politicians and tell them so?
I own my own company, so I've never had businessmen telling me what to do or getting worried if something doesn't sell. I've always had my own access to the public, because I started off making my clothes for a little shop and so I've always had people buying them.
I feel like if you know any women who's an essayist or a writer or a public speaker or just a public person, and they have any presence at all in any kind of social media, or any place where men can voice at them, you have to be pretty amazed at the level of special provocation and sort of violent speech and misogyny that comes at them. Any woman that's really in the public sphere has experienced this. It's kind of shocking how universal it is.
What is public history but a register of the successes and disappointments, the vices, the follies and the quarrels of those who engage in contention for power.
For the employee, the goal is to have full access to necessary information and as much independent decision-making ability as possible. For the entrepreneur, the goal is to grant as much information and independent decision-making ability to employees or contractors as possible.
Scientists habitually moan that the public doesn't understand them. But they complain too much: public ignorance isn't peculiar to science. It's sad if some citizens can't tell a proton from a protein. But it's equally sad if they're ignorant of their nation's history, can't speak a second language, or can't find Venezuela or Syria on a map.
The job of the designer is to make things understandable, usable, accessible, enjoyable... important to a public, that involves the public.
A society - any society - is defined as a set of mutual benefits and duties embodied most visibly in public institutions: public schools, public libraries, public transportation, public hospitals, public parks, public museums, public recreation, public universities, and so on.
In U.S. history, war has served as an important diversionary tactic, causing the people at large to shift their attention away from the state's own criminality and toward real or fictitious devils abroad. Wars have therefore proved to be extremely useful in propping up the political class and preserving it from the public resistance and rebellion that might otherwise have arisen.
I bet I'm the only person in history who went from being the star of a sitcom to the host of a public-access show in less than a year.
I think a lot of my interest in history now isn't so much in places and names and texts and public figures, but more in examining all the nuances and idiosyncrasies of particular stories of everyday people. And if that doesn't happen, then I usually transplant myself and my own stories to a particular historical event. Which is why you'll see me, the first person pronoun, interacting in a song about Carl Sandburg, or you'll find my [sic] interacting with Saul Bellow. It's sort of a re-rendering of history and making it my own.
If it's a situation in which the public is being given access, you can't discriminate against the media and say, as a general matter, that the media don't have access, because their access rights, of course, correspond with those of the public.
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