A Quote by Sarah Hay
The amount of effort and energy that goes into being an actor is something that I can't compare to anything else.
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Sometimes I have experienced at the start of a film you're very excited and enthusiastic and you've done all your preparation internally and externally and you start the film and it's all go... Then your attention goes somewhere else. Your energy goes into telling the story, so you don't have the same amount of energy to be objective, and that's okay because sometimes you become a subject of the story and you're inside it so much that you don't need to keep on looking on the outside.
I don't think leave the Harry Potter franchise. Not wanting to act, yes. I think it was that stage of rebellion, really. Everyone goes through it. I thought, "I've been an actor. My parents are proud of me being an actor. I want to do something else." I wanted to join the Army, actually, or be in the Air Force, or something like that. I still wouldn't mind doing that. Obviously, it's a bit late for me now.
The best results are achieved by using the right amount of effort in the right place at the right time. And this right amount is usually less than we think we need. In other words, the less unnecessary effort you put into learning, the more successful you'll be... the key to faster learning is to use appropriate effort. Greater effort can exacerbate faulty patterns of action. Doing the wrong thing with more intensity rarely improves the situation. Learning something new often requires us to unlearn something old.
The total amount of energy we use every year - from coal, oil, natural gas, hydro, nuclear, and everything else - is dwarfed by the amount of solar energy hitting the planet each year.
I am an actor, and that's the most important thing to me. I cannot imagine a life where I would be anything else but an actor, so putting all my energy into a shot comes naturally to me.
Jealousy is comparison. And we have been taught to compare, we have been conditioned to compare, always compare. Somebody else has a better house, somebody else has a more beautiful body, somebody else has more money, somebody else has a more charismatic personality. Compare, go on comparing yourself with everybody else you pass by, and great jealousy will be the outcome; it is the by-product of the conditioning for comparison.
I can do a limited amount of things and that's what I do and I feel comfortable doing it and I have no particular desire to do anything else as an actor.
I don't know how to do anything else other than be an actor. If I wasn't in this, I would be in alternative energy and conservation.
There's something to be said for being given a tremendous amount of freedom as an actor.
The other, the other aspect when I say I'm an actor is that as an actor you make this imaginative leap into being somebody else, that's to say the muscle of the imagination is as important as any other of the muscles in your body, and so it is something about this instinct in space and time which for me I associate with being an actor rather than a director.
Being onstage is just a feeling that you cannot duplicate anywhere else because the energy that the audience is giving you forces you to give more energy. It's such an output and exchange of energy. You can't do that anywhere else.
If doing something with second-rate effort satisfies you, find something else to do - where only your best effort will satisfy you personally.
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
When I compare myself, my being-myself, with anything else whatever, all things alike, all in the same degree, rebuff me with blank unlikeness.
I reckon I would be able compare anything to anything else if you gave me enough time.
being chic not only takes a great deal of money but an enormous amount of time. It practically precludes everything else, even being on charity committees. Half of one's time goes getting chic, the other half being seen that way.
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