A Quote by Sarah Jaffe

I had gotten to know the music scene there, and just fell in love with it. I've lived there a little over four years now. There's a charm to Denton. The musicians in Denton are all very talented, but they're also all very accessible and very community-oriented.
Drama schools are very small community, a very incestuous community, so you get to know one another very, very quickly and it just washes over after a while. Every now and then I'll say "dude" or I'll say "bro," and people will laugh.
You know, I love to sing and I don't find it difficult to read music, but no, I would never have been talented enough to be a singer and also it's a very, very demanding thing to be.
One of the strengths of the U.K. is its ability to attract very highly talented people from all over the places, but also their ability to send English people outside. So they're very brain circulation-oriented, and I do hope, even with Brexit, they will keep this asset they have.
Honestly, it's a blessing. Benny's [Blanco] probably one of the most talented people I know. He's just a very proactive guy when it comes to music and is just very creative. I think because of that, it makes it very easy to work with him.
I'm definitely a fan of dance music. I guess we really call it 'dance' music because music seems to have become very functional. For years, people were trying to be everything. Now, musicians are becoming very specific.
When I went, I hadn't had very much time to have hopes or expectations. I knew very little about Nashville, and I think that was probably good. When I was there, I got really lucky - I ended up with people that just were amazing musicians, and that's the Nashville that I experienced. That is a big part of Nashville - there's a lot of musicians, and that makes it a very special place and shapes the city.
I grew up in a little Methodist church that was very rural, very community support-oriented, made up of great people who talked about love and grace and the spiritual experience, but only in rhetorical terms.
One of the things that's happened in the music I love over the past five, 10 years is that some people have gotten very old and continued to make music.
When I last went to Italy, over two years ago, I had a lot more trouble understanding the language than I used to when I lived there for a year. I used to speak very little but I could understand very well.
That was an idea of the record company, and also that was my first album after MCA and we wanted to come back with a strong album that would be noticed. If we put the vocals by very talented people and very meaningful songs, then the vocals would be a platform so that I could be noticed again. All of the MCA albums were just loaded with problems -- you know, the right musicians, the engineers. The record company would say 'You have to make music for black radio, you can't do what you have been doing with The Crusaders.' Everybody was telling me that was over, finished, done.
Everybody's saying, you know, 'You're so heroic and so on despite of the polio that you had and so on.' Look, I had polio when I was four. So when you're four years old, you know, you get used to things very, very quickly.
I think that there are some fantastic musicians out there - very, very talented musicians.
A band that makes records and tours is also a business. That's usually where a lot of disagreements come. It's four guys who are musicians and don't really know much about business, but are very passionate and have very specific ideas.
I'm very pragmatic in that I know there are very few greats in anything. I got lucky just to have gotten two of the real great filmmakers very early on. Better to have had them than to not have had them. I've been really fortunate. That's the key relationship on a movie: the director and the actor. Of course, you can't compare the experiences. When you're in your early 20s, you're a very different person. It was a very exciting time, and my whole world was changing. Now I'm looking back, and hoping I can still offer something. Still do good work.
When I was 14-15 years old I was able to earn a little money from time to time but I'm not complaining since, very soon I could provide a normal living. I was discovered also by other musicians and they asked me to work with them. Even in my early age several well-known artists asked for my services both on the stage and in the studio. This experience proved to be very useful, musicians showed me various musical situations and various music experiments.
I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it's become very corporate, the independent scene.
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