A Quote by Sarah-Jayne Blakemore
Almost 400 years ago, Shakespeare was portraying adolescents in a very similar light to the light that we portray them in today - but today we try to understand their behavior in terms of the underlying changes that are going on in their brain.
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Yes, business really does change. 400 years ago, corporations were formed by royal decree. 300 years ago, many countries were powered by slave labour, or its closest moral equivalent. 200 years ago, debtors didn't go bankrupt, they went to prison. 100 years ago - well, business is largely the same as it was a century ago. And that's exactly the problem. Business hasn't changed, but today's array of tectonic global shocks demands a different, radically better kind of business. Yesterday's corporations visibly cannot meet today's economic challenges.
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
Poor people in America today (people who are officially in poverty) have a higher standard of living - in terms of medical standards, in terms of going to college, in terms of the way people live - than middle class people did thirty years ago.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
Guard your light and protect it. Move it forward into the world and be fully confident that if we connect light to light to light, and join the lights together of the one billion young people in our world today, we will be enough to set our whole planet aglow.
Aristotle wrote the 'Poetics' 2,400 years ago. It's really an instruction manual for aspiring filmmakers. It's as valid today as it was then.
When you try to portray people's lives, you try to make sure you don't portray them as clowns and that you give them a level of dignity. You don't try to change their persona, but you try to understand that they had unique problems, set in a century that you don't live.
We're a strange animal, so often destroying what we love for selfish ends, and yet tantalized by the sense that there are other choices if only we had strength to make them. In the politics of 400 years ago, we find the same questions we battle with today.
How has the world of the child changed in the last 150 years?" The answer is. "It's hard to imagine any way in which it hasn't changed.They're immersed in all kinds of stuff that was unheard of 150 years ago, and yet if you look at schools today versus 100 years ago, they are more similar than dissimilar.
Today, almost all-current technologies put the speed of light to work.
To understand a word, we need to learn where it was born, what paths it took to reach where it is today, and how it has changed along the way. The word 'nice' is a positive word today, but hundreds of years ago, it meant 'stupid.'
What has changed in 40 years? It’s very simple: 40 years ago there was a market economy. Today there is a market society – today everything, including ethics, has a price.
As an actor going into screenwriting, I was able to understand what type of dialogue feels natural. A lot of the time, as an actor, you don't have the freedom to change what your lines are, and they can often be very unnatural or difficult to portray in a real light.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
There is a greater fatigue concerning the African problem today than five or 10 years ago. The situation now in Africa is worse today than it was 10 years ago.
The best engineer a few decades ago was someone who could create the most beautiful beam or structure; today it's to do a structure you cannot see or understand how it's done. It disappears and you can talk only about color, symbols, and light. It's an aesthetic of miracle.
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