A Quote by Sarah Jeffery

For me, I've struggled with that when auditioning. Sometimes I get the feedback that I'm not white enough or I'm not black enough, and that can be really frustrating in that sense.
I'm black and white, so either, sometimes, you're not considered by the breakdown of the script: you're not 'black enough' for this role. Or you're not 'white enough' for this role. Or, like, looking up to people, who do I identify with? And not seeing Barbies that maybe look like me.
I dreamt that I could paint you with words, but there were no colors bright enough, black or white enough, blue or green enough...they didn't mean enough
Growing up, I was confused about my identity: I felt like I wasn't black enough to be black, but not white enough to be white.
'Black film,' unless it's lucky enough or creative enough, or timely enough to build a life of its own, hangs subjacent to 'white film' on Hollywood's financial score board... aided and abetted by the supposition that so-called black film has no foreign market.
Every pastor I talk to says, and particularly if they're African American they'll say, "I'm not black enough for African Americans. I'm not white enough for the whites. I'm not Hispanic enough."
And I always talk about how when you're mixed race, you often get told you're this, you're not that' or you're not enough that, you're not Asian enough, you're not white enough.'
I am Charles Mingus. Half-black man. Yellow man. Half-yellow. Not even yellow, nor white enough to pass for nothing but black and not too light enough to be called white.
It was common practice for me to take my children with me whenever I went shopping, out for a walk in a white neighborhood, or just felt like going about in a white world. The reason was simple enough: if a black man is alone or with other black men, he is a threat to whites. But if he is with children, then he is harmless, adorable.
You are a white. The Imperial Wizard. Now, if you don't think this is logic you can burn me on the fiery cross. This is the logic: You have the choice of spending fifteen years married to a woman, a black woman or a white woman. Fifteen years kissing and hugging and sleeping real close on hot nights. With a black, black woman or a white, white woman. The white woman is Kate Smith. And the black woman is Lena Horne. So you're not concerned with black or white anymore, are you? You are concerned with how cute or how pretty. Then let's really get basic and persecute ugly people!
I think one of the things about Donald Trump that's interesting is he lives in a rarified atmosphere where it's possible that he doesn't get enough feedback, enough people rolling their eyes at him. It's a danger more in show business than it is with wealth.
People don't care enough. They don't get worked up enough. They don't get angry enough. They don't get passionate enough. I'd rather somebody hate what I do than be indifferent to it.
People don’t care enough. They don’t get worked up enough. They don’t get angry enough. They don’t get passionate enough. I’d rather somebody hate what I do than be indifferent to it.
I struggled to get through high school. I didn't get to go to college. But it made me realize you can do anything if you want to bad enough.
Would that there were an award for people who come to understand the concept of enough. Good enough. Successful enough. Thin enough. Rich enough. Socially responsible enough. When you have self-respect, you have enough.
With acting, it [auditioning] is very frustrating. I'm not very good at auditions. Sometimes I audition for a role and I'm like, I'd be really funny in that role, but I'm not good at auditions so I guess I'm not getting that role. It's a very frustrating job.
Teaching Black Studies, I find that students are quick to label a black person who has grown up in a predominantly white setting and attended similar schools as "not black enough." ...Our concept of black experience has been too narrow and constricting.
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