A Quote by Sarah Jessica Parker
If I didn't have kids, I would be at the theater or the ballet every single night of my life.
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We sit down with the kids every single night, not that I want to every night - sometimes I'd rather be out with my husband having a martini at a swanky restaurant - but we sit down with our kids every night at dinner.
I wish, mainly, that I could have a job and work all the time and also not have to leave my kids. If there was a way to clone myself and be at every parent-teacher meeting and be there to put my kids to bed every single night and also star on Broadway, that's what I would do.
I think any actor would agree that you can't replace theater. It's immediate. You have the energy of the crowd and every single night it's different.
From the time I was five years old, theater was all I knew. I did community theater; I went to theater school. It's like going to the gym as an actor: every single night, you have to recreate the illusion of the first time, so you really have to listen and connect and stay in the moment for an hour and a half - with no breaks.
It's not like I'm out eating McDonald's and Del Taco every night. I eat good: my mom fixes dinner every single night - baked chicken, fish - she cooks a great meal every single night.
Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
When I'm on tour, I'm in a new city every single night, and the energy and the crowds and the kids and the screaming and them knowing every single word of my music and being onstage is such an energetic feeling with a big payoff.
I saw 'Clueless' probably when I was about 8 or 9 years old. And, I had certain films that I would fall asleep so it was 'Clueless' for quite a long time, and I used to just watch it every single night and knew every single line, every single quote.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
Here's the thing - I'm single, I haven't been married, I don't have kids yet. If I do have kids I would be interested to see them in my life, so here's a movie for kids and I'm in there and I'm supposed to be kind of funny for kids.
My parents used to park us kids at the public library in downtown Honolulu every Saturday. They'd leave us there at 8 A.M. and pick us up at 4 P.M. - so between those hours, you'd better find something to do! I sat upstairs in the picture room and went through opera, ballet, and theater books. I loved the photographs of people wearing elaborate makeup and costumes - they really pulled at me inside. I was in that library every week for years, until I was about 13. I had a rich interior life, because I didn't have much of a social life.
I want the type of career where I can come back to theater. Theater is my home. Theater, to me, is like ballet for dancers. It's my foundation.
I am flawed, but at least I can admit it, and at least Kenny Omega, Tyson Smith, is exposed to every single one of you, every single night I perform in the ring. And the relationships that I have in my life with the fans, they're all with me. We are all family.
I do a meet and greet after every show in which I tell the audience that I would love to thank every single one of them for coming. Which a lot of people take me up on! So I get to meet hundreds and hundreds of people every night, night after night.
Every single night our soul is taken, and every single night the Angel asks before bringing it back, "Ya Allah what about this one?" "Do You want to send it back?" Do You want to pull the plug or should we keep the Ruh (soul)?" And every night Allah gives permission to the Angel to let us live one more time."
I'm trying to change theater, in my own way - not just magic. I say that humbly, because I'm learning every single day. I do 15 shows a week, and every single audience I have is like a test screening for you, when you listen and go, "Really? They laughed at that?" All over the stage I have lines, written onstage, that I'm changing every single day.
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