A Quote by Sarah Jessica Parker
Do we need distance to get close?
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In a contagious world,we learn to keep our distance. If we get too close to those who are suffering, we might get infected by their pain. It may not be convenient or comfortable. But only when you get close enough to catch their hurt will they be close enough to catch your love.
You can have computer sights of anything you like, but I think you have to go to the enemy on the shortest distance and knock him down from point-blank range. You'll get him from in close. At long distance, it's questionable.
At the end of the day, when it comes down to it, all we really want is to be close to somebody. So this thing where we all keep our distance and pretend not to care about each other, it's usually a load of bull. So we pick and choose who we want to remain close to, and once we've chosen those people, we tend to stick close by. No matter how much we hurt them. The people that are still with you at the end of the day, those are the ones worth keeping. And sure, sometimes close can be too close. But sometimes, that invasion of personal space, it can be exactly what you need.
In my last fight I couldn't explode as much. Sometimes I had a chance to throw the guy, to close the distance, and I missed that distance because of my hips.
We're all torn between the desire for privacy and the fear of lonliness. We need each other and we need to get away from each other. We need proximity and distance, conversation and silence. We almost always get more of each than we want at any one time.
This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.
From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
I think whenever you have a common goal with someone, you're going to bond. It's really hard to get two people together and be like, 'Hey guys, why don't you just bond!' But if you say, 'Listen, I need you guys to build this house, or I need you to do this or I need you to make this movie,' you'll get to work and you'll get close.
sad things are beautiful only from a distance therefore you just want to get away from them from a distance of one hundred and thirty years ....i'm going to distance myself until the world is beautiful
There is convincing evidence that the search for solitude is not a luxury but a biological need. Just as humans posses a herding instinct that keeps us close to others most of the time, we also have a conflicting drive to seek out solitude. If the distance between ourselves and others becomes too great, we experience isolation and alienation, yet if the proximity to others becomes too close, we feel smothered and trapped.
With the adult ones, I feel I need to get as deep inside the psychology of a character as I can, and that needs to be first-person. In the children's books, I feel I need some distance. I don't want to be the nine-year-old at the center of the story. I need to have some type of narrative voice.
To punish MPs because of the distance they live from London - those with fast train journeys quite close to London as well as those at some distance from both the capital or an appropriate airport - is perverse, but also dangerous to democracy.
If you zoom close-if you get really close to someone, if you really get close to yourself-then you lose the other person, you lose yourself entirely. You get so close you can't see anything anymore.
Anamorphic is very difficult because the distance from the lens to the person to focus is very long so you need a lot of distance from the camera to the person so that means that you need a lot of space.
I always need to get away from whatever it is I've just finished, to feel a distance from it.
To beat Shevchenko, you'd have to close the distance and work with strikes close to the cage to take away her energy, her strength, and work with the ground and pound or something like that.
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