A Quote by Sarah Kay

I don't think I ever had a morning where I woke up and said I'm going to be a professional poet. I know I've always loved poetry, I've always loved writing poetry and I've always loved sharing poetry. I've also always known that I wanted that to somehow be a very large part of my life and I'm very fortunate that it's such a large part of my life.
I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there.
I always loved singing and writing poetry. I always loved music, and I've loved writing my whole life. When I put them together, it was probably in my early 20s where I put words to music for the first time.
I always loved singing and writing poetry. I always loved music, and I’ve loved writing my whole life. When I put them together it was probably in my early 20s, where I put words to music for the first time.
I have always loved American poetry, which is very different from Irish poetry.
I'd always loved poetry and I'd always loved writing music and composing music, but I hadn't thought of putting the two together until around that time.
When I devoted myself to poetry - and poetry is a very serious medium - I don't think the people that knew me as an individual with that tongue-in-cheek kind of humor...well, it didn't always lend itself to my poetry. When you're writing poetry, it's like working with gold, you can't waste anything. You have to be very economical with each word you're going to select. But when you're writing fiction, you can just go on and on; you can be more playful. My editor's main task is to cut back, not ask for more.
I started writing poetry in high school because I wanted desperately to write, but somehow, writing stories didn't appeal to me, and I loved the flow and the feel and sense of poetry, especially that of what one might call formal verse.
As a teenager, I loved acting, painting, photography, and making films with my friend's Super 8 camera. But I always loved writing the best. I chose writing even before I knew poetry was available to me.
I have always enjoyed being a part of his life. I've always loved him, and he's always loved me.
I always loved reading. I always was the spelling bee champion. I always loved words. I always wanted to know what they meant, why you used them, who first said them. I was always interested in that.
My mother was a washerwoman - or a woman that cleaned houses in Texas... in Plano, Texas - who always loved poetry and always loved stories.
The first song I wrote and had published was titled "Just As Long As That Someone Is You". It was written in 1959, and recorded in 1965 by Jimmy Ellege. I started writing songs because I wanted something of my own to sing. I, at that time, was not aware that the songs I heard on the radio were not written by the folks singing them. I had always loved poetry, and found it easy to integrate a melody with poetry.
I was twenty when I discovered war and photography. I can't say that I wanted to bear witness and change the world. I had no good moral reasons: I just loved adventure, I loved the poetry of war, the poetry of chaos, and I found that there was a kind of grace in weaving between the bullets.
I don't think we ever sat down in the early days and said "hey lets be a band that wears make up". I think it was just natural for us. We grew up loving stuff like Alice Cooper, Kiss, The Misfits, and the more theatrical stuff. I always loved rock stars. I loved David Bowie and Freddie Mercury, and these people that were larger than life and iconic. I think that is what we always wanted to do.
I'm very good at breaking up with people. Very good. It requires a lot of skill, but what you do is you tell them the truth of why you are breaking up with them, and after that, you somehow compensate with other things. If you have loved someone, I think that somehow they should always be a part of your life. I really do.
I began writing for kids because I wanted to effect a change in American society. I continue in that spirit. By the time we reach adulthood, we are closed and set in our attitudes. The chances of a poet reaching us are very slim. But I can open a child's imagination, develop his appetite for poetry, and more importantly, show him that poetry is a natural part of everyday life. We all need someone to point out that the emperor is wearing no clothes. That's the poet's job.
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