One of the frustrations about the modern world is that we don't even have a good vocabulary to describe our state. The word sentiment sounds mushy. [...] Sentiment is not mushy.
Anyone who wants to offer me as mushy, earthy, crunchy a role as they can, I will probably take it. In real life, I cry at a drop of a hat, and I'm a mom, and I'm pretty mushy! We all have so many colors as actors that we want to show.
Truth is stranger than nonfiction. And life is too interesting to be left to journalists. People have stories, but journalists have 'takes,' and it's their takes that usually win out when the stories are too complicated or, as happens, not complicated enough.
There are three stories that are foundational to the Islamic narrative in which women, and in two of the three cases, single women, are not just part of the story. They're at the very center of the story. Yet, that is not something that you would imagine to be true if you survey the Muslim world from the outside or from the inside. Part of the reason is that we don't really take our text seriously. We don't take our stories seriously. We're almost afraid of thinking complicated thoughts.
I have a point of view on the issues, but it's a complex point of view that really can't be summed up in a sentence or two. I'm not being intentionally vague or mushy, it's just that - in my mind - the real answer is complicated.
I simply love to believe in love stories. They are so cute and mushy.
I would like to do more millennial, Latina, complicated stories.
I always like things to be as complicated as possible. I don't like an easy ending. I don't like when all the pieces get tied up. As a viewer who loves stories and storytelling, that annoys me.
It's really nice to see that, looking at all sides of the abortion issue - from the person who doesn't want to have kids so they're going to have an abortion and that's not traumatic for them, to somebody who loses a wanted pregnancy, to somebody who has complicated feelings because of their religion. We can talk about all of those complicated and individual stories and not feel like there's any one abortion story that's right or wrong.
I'm a centrist. There is a lot going on socially that I don't like, but I feel that in a democracy you work from the center, not because I like the center - I'm a marginalized person politically - but because the center is where things get done.
I don't like it when the burgers are rock-hard; I like them mushy and delicious.
I think I like playing the bad girl. I like complicated. I like flawed, messed up complicated. It's more interesting.
If you don't spend the time you need on developing characters and finding stories, complicated stories, the audience gets tired because they think they're seeing the same thing again and again.
For several years before I began 'The Folded World,' I worked at an urban college campus and had a job in a tutoring center, and people would come into the tutoring center, and for some reason, they just kept telling me their life stories.
I think the people like myself who are in the center ground of politics and who think that center left and center right can cooperate and work together. Who don't like this sort of insurgent populism because we think it's not really going to deliver for the people, I think there's a big responsibility on us in the center to get our act together. And to work out radical but serious solutions to the problems people face.
Every work of art has one indispensable mark ... the center of it is simple, however much the fulfillment may be complicated.