A Quote by Sarah Lancashire
Two of the best roles I've ever had have happened in my late 40s.
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For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
Because I had children relatively late - in my 40s rather than in my 20s - it wasn't anything I ever knew that I would do. It kind of happened to me: I met the right woman and we had children. It was a revelation because it suddenly makes me realize, 'Oh, I get it. Now I know what to do with the rest of my life.'
Because I had children relatively late - in my 40s rather than in my 20s - it wasn't anything I ever knew that I would do. It kind of happened to me: I met the right woman and we had children. It was a revelation because it suddenly makes me realize "Oh, I get it. Now I know what to do with the rest of my life."
Really, I was such a late bloomer, I really didn't learn how to be me until I was in my late '40s, which is when I started playing roles that were closer to me.
When you're a woman in your 40s, it's not the best time to do films, because there really aren't that many roles. Then you reach 50 and there are more roles again. Mother parts.
Intimate singing had a wonderful style in the '30s and '40s. It came out of Broadway and the jazz of Louis Armstrong and Billie Holliday. But Sinatra created the best romantic era that we've ever had.
We're in crisis mode as black actresses. It's not only in the sheer number of roles that are offered and that are out there, but the quality of the roles. The quality - and therein lies the problem. We're in deprivation mode because me, Alfre and Phylicia, we're in the same category. Whereas if you take a Caucasian actress, you have the one who are the teens, in their 20s, 30s, 40s, 50s - they're all different. There are roles for each of them. But you only have two or three categories for black actresses.
What I learned was there's no roles for women who won't be in their 40s. For women who will be in their 40s, there's a ton of work.
Had the Holocaust happened in Tahiti or the Congo, as it has; had it happened in South America, as it has; had it happened in the West Indies, as it has - you must remember that within fifty years of Columbus's arrival, only the bones remained of the people called the Arawaks, with one or two of them in Spain as specimens. Had the Holocaust committed under the Nazis happened somewhere else, we wouldn't be talking about it the way we talk about it.
In a general way, I think traveling with Kofi Kingston and Curt Hawkins would have to be some of the best times I had. Those two are my two best friends that I'll ever have in wrestling.
I was wondering if the best was behind me, had the high point of my career already happened. Then I saw what Manolo had done, and some of his best work happened after he turned 40.
[Out To Sea] began a relationship I had with [director] Martha Coolidge for a few years that was wonderful, and she certainly cast me in the best roles I've ever had in film.
I hear people in their 20s describe the 40s as a far-off decade of too-late, when they'll regret things that they haven't done. But for older people I meet, the 40s are the decade that they would most like to travel back to.
The Holocaust would never have happened if black people lived in Germany in the 1930s and 40s … well, it wouldn't have happened to Jews.
When you get into your 40s, the roles do tend to drop off, and I've seen it happening to friends of mine. Hopefully it is improving, and there are female TV executives now who are championing women of all ages in leading roles. But I'm not counting on it.
The best thing that's ever happened to me is my daughter. To be a Mom is the best thing in the world. You know, that's all I really wanted to do after I had finished doing films.
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