A Quote by Sarah Lancashire
I can tell very early on, reading a script, within six or seven pages, whether I'm looking at real people, and whether I can see and hear real people.
Related Quotes
When I hear real faithful people - whether it's a real Christian, or a real Buddhist, or a real Muslim - I hear them use the language I use for a friend. So my metaphor for God is friend.
It’s difficult to tell whether people are looking at you because they recognize you from your work, or whether it’s just because you’re six foot three and have the eyebrows of Satan.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
There's no facade; it's very real. I just don't get along with Ronda, and we don't see eye to eye on anything. We're just two completely different people. People can tell that our rivalry is very raw. It's very, very real.
What was a slap for ten pages of escapism, ten pages far from everything that made him unhappy, ten pages of real life instead of the monotony that other people called the real world?
You really get a feeling, when you're reading scripts, pretty quickly. Within 20 or 25 pages, you can get a sense of the part. I always think about whether I'm right for it and whether I can do it. If I don't think I'm right for it, it should go to somebody else.
Authenticity resonates with people. The industry can be very misleading and is built to make people believe what they see. But people aren't dumb they can see through that and I think real music and real people resonate.
What I'm trying to tell people is that police brutality in the 'hood is nothing new. And the thing is that whether this guy, the cop killer in my song, is real or not, believe it, there are people at that point.
I like to invest as a performer in the director's vision and then bring a sense of reality to whatever I'm doing, whether it's comedy or whether it's drama, and trust that they're going to tell me if something's reading as funny or if it's reading as dramatic or reading in the right tone.
Things like Kitchen Cabinet, I'm not sure they necessarily tell the Australian people whether you have judgement, whether you have discernment, whether you have intellectual acuity, whether you are able to develop policy, whether you are able to represent individual cases to the highest levels of government successfully and in a manner that actually achieves outcomes.
We have all this very clever technology and all these abilities to manipulate the world in all these ways, yet we are faced with the very real question of whether we can be sustainable on this planet - whether or not, in fact, we can endure.
In painting as in prose, a good eye is not enough to tell you whether what you see is real or fake.
I think people hear the words 'transcendental meditation' and 'paganism,' and that's almost worse because it's real. Those are real things. Those are absolute energies. Satanism is like Halloween. Transcendental meditation and having a realization of how we really are - whether we want to be or not - we live in a pagan culture.
The real test is not whether you avoid failure, because you won't. It's whether you let it harden or shame you into inaction, or whether you learn from it. . .
I'm not accustomed to doing films without seeing the script. There are certain people that are auteurs, and you accept them regardless of whether you see a script or not. But Spielberg is not an auteur.
It doesn't do much good to have a quality image, whether it's with the facility or whether it's with the merchandise, if you don't have real quality people taking care of your customers.
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