A Quote by Sarah Lancashire
It started at 49 with 'Tango in Halifax' and then 'Happy Valley.' I can't complain at a time when most actors are disappearing. I seem to have become very visible.
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People very rarely know my real name but recognise me as characters from my shows, such as 'Last Tango In Halifax.'
I think all actors, when they're not working, say, 'If I can get to this point where I'm working on a consistent basis, I'll be happy.' Of course, then, if that happens for you, and you're lucky, you find some other reason to complain. There's a joke: 'If you want to hear an actor complain, give him a job.'
Look, America was a narrowly divided country in 2000;49-49 was what Michael Barone called it. It's a 49-49 nation.
Look at Nicola Walker in 'Last Tango in Halifax.' She has the most wonderful face. You just want to look at her. And if she'd gone off and had Botox and facelifts, I wouldn't want to look at that face because it wouldn't express anything.
I started acting when I was 9. I did smaller parts here and there as a kid, and then as I grew older I started resisting it, because I didn't like the idea of being, at the time, number four of the Skarsgård actors. So in high school I majored in science and was like, "Maybe I'll do something rebellious and become a doctor."
It has become a kind of religion that you can't criticise because then you become a traitor to the great cause, which I am not. It is time we began to ask who are these women who continually rubbish men. The most stupid, ill-educated and nasty woman can rubbish the nicest, kindest and most intelligent man and no one protests ... Men seem to be so cowed that they can't fight back, and it is time they did.
What I do is spend too much time thinking. Most of the time I just walk around annoyed. Would I describe myself as relatively happy, I suppose, but society gets to me. And the people that have mastered life seem to not care, and then they die, and then the grenade goes off.
For me the most moving moment came when I first started working on 2001. I was already in awe of him, and he had very much already become Stanley Kubrick by the time the film started.
When I started in the profession, there were very visible actors who were Scottish, Welsh, or regional. Lots of working-class-hero leading actors; it was not fashionable to sound posh. Now, I'm middle-aged; it's fashionable to sound posh if you are the generation behind me.
I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
I started to respect older actors when I was young and then contemporary actors later on. Then I learned respect for comedy. When I was first doing theatre, I thought of it as just a means to become Sarah Bernhardt or someone like that. But acting with young people has been a great learning experience.
Inhibition is something I notice in hamstrung actors all the time. They can be wonderful up to a point and then become very self-conscious.
I don't know if a penny's dropped somewhere, but you've had 'Lark Rise to Candleford,' you've had 'Cranford,' you've had 'Last Tango in Halifax,' you've had 'Call the Midwife'... I think the largest portion of the viewing public are over 55, and they like to see people they can identify with.
I think I have a tendency to overwork things. I have a hard time finding that sweet spot that most actors seem to be able to hit where they're doing the exact right amount of work, not overthinking, not underdoing it. I seem to either overdo it or underdo it.
I love directing actors. In the last few years, I have started expanding my directing into workshops for actors who truly want to grow and learn. My mom was a high school drama teacher, and teaching makes me very happy. My workshops are nurturing.
The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.
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