A Quote by Sarah Lancashire
It's too easy to underestimate your audience. But it's not rocket science: bad plays don't get people on seats; good plays do.
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I don't believe really good plays - interesting plays, complicated plays - can mean just one thing to every single person in the audience.
You run your plays, you know your plays, you study your plays, you study the other team, you do as much as you can, you go to practice, you get in shape, you do what you need to do, and then by the time you get to the game, you know your plays, but they have to feel like they're in your bones. That has to be an unconscious thing, it cannot be conscious. That is everything to me.
It's my job to get us in good plays, or more importantly, out of bad plays.
It's my job to get us in good plays, or more importantly, out of bad plays. That's what I did.
A lot of quarterbacks have big arms and can make all the throws, but the most important thing is knowledge of the game, controlling the offense and, more than anything, limiting mistakes. Knowing what good plays to get your team into at the line of scrimmage and what bad plays to get out of.
What patients want is not rocket science, which is really unfortunate because if it were rocket science, we would be doing it. We are great at rocket science. We love rocket science. What we’re not good at are the things that are so simple and basic that we overlook them.
I know I can get to the basket whenever I want, but I've got to be able to create some plays, like easy plays.
Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
I'm not sure plays tell people anything. I think plays include an audience in an experience that is happening in that moment, and that's the specialness. What people take away has almost as much to do with what they bring as what we do.
This is something particular to actors, especially in plays, and in films, too - but in plays, it's like, don't get involved with anyone in the play.
My family is all musicians - my dad plays drums, my mom plays flute, my older brother plays drums, my little brother plays drums and piano. For some reason, I didn't get the memo, so I just play bass.
If one plays good music, people don't listen and if one plays bad music people don't talk.
I didn't act in Israel, but I wrote plays at home and acted in plays at school. I tried to get an agent when I was 12, but they told me that I had too much of an accent.
It's too bad patient-centered care is not rocket science, because if it was, we would be really good at it.
I don't do plays without jokes anymore. I've retired from those plays. I think it's bad manners to invite people to sit in the dark for two and a half hours and not tell them the joke.
It honestly feels like high school or college all over again. You're comfortable; you see the game. You've seen a lot of ups and downs, a lot of good plays and bad plays. They're all in the back of your head. It's all just experience over the years. There are guys that play well as rookies, but it's hard.
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