A Quote by Sarah Lancashire

I love swing, jazz, blues, standards. I love the American songbook, Gershwin, Berlin. It's all that. So I'm born in the wrong era and I just don't fit into the 21st century at all.
I'm an American songbook guy, though I've got eclectic tastes. I really love the American songbook. I've taken up the ukulele, and so you can play 'Five Foot Two' and Hawaiian music, but you can also do some of the great tunes, like 'You Go to My Head,' 'I Guess I'll Hang My Tears Out to Dry,' 'Taking a Chance on Love.'
People think jazz music is all standards and the Great American Songbook. But it's really about the sensibility, the feel you bring to the music.
When I play live in restaurants and cafes, I don't play my own stuff. I play jazz and 'American Songbook' standards, and I'll fuse it with top 40.
I love most melodic music - classical, reggae, big band, jazz, blues, country, pop, swing, folk.
Nobody knows where jazz is going, because nobody has ever known where jazz was going. I mean, you couldn't possibly predict the Swing Era from the '20's or bebop from the Swing Era or Avant-garde from Bebop, or Effusion, or on and on and on. So, we don't really know where it's going.
I stand before you tonight as a young American, a proud American, of a generation born as the Cold War receded, shaped by the tragedy of 9/11, connected by the digital revolution and determined to re-elect the man who will make the 21st century another American century - President Barack Obama.
I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.
I especially like Duke Ellington jazz, which is a little more... I lived in New York for a while. I lived in Harlem for a bit, and I just fell in love with the idea of that era of New York, that jazz era, especially jazz in Harlem.
In terms of representation, television is reflecting an era that has passed. It's the wrong time; it's the wrong period. In all sorts of television, it doesn't feel like the 21st century.
I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing.
For me, jazz, R&B, jump swing, Chicago blues, country blues, early hillbilly music, and honky tonk all stem from the same source
I always say that I was born in the wrong era. I should've been born in the '70s or '80s when love meant so much more than it does today. In this busy world, we forget to find each other, fall in love, and go all the way for our soul mates.
Where I grew up, Bob Wills and his western swing was very popular. And western swing is not that far from jazz and blues.
I'm very fortunate that I really like acting, but it's not all I want to do. I love to sing. I love blues. I love jazz.
I love stories that give me a perspective on how easy American life has become in the 21st century.
I visited New York in '63, intending to move there, but I noticed that what I valued about jazz was being discarded. I ran into `out-to-lunch' free jazz, and the notion that groove was old-fashioned. All around the United States, I could see jazz becoming linear, a horn-player's world. It made me realize that we were not jazz musicians; we were territory musicians in love with all forms of African-American music. All of the musicians I loved were territory musicians, deeply into blues and gospel as well as jazz.
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