A Quote by Sarah Lancashire
For me, it was much more important to continue to learn my craft as an actor and get a bit of flesh on the bones.
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Learn your craft. You want to be a doctor or a teacher - it's very important to learn your craft and indulge in it. You have to get involved and learn as much as possible and go for it.
We are going to have bodies like Jesus did after He was resurrected. Each of us is going to have a new eternal, glorified body. It will actually be constructed as we are now, of flesh and bones - but eternal flesh and bones, incorruptible, immortal flesh and bones. It's going to be material, natural, recognizable, seeable and feelable.
But I found out that bones with flesh are more interesting than bones without.
I try to think of myself as a struggling competitor or specialist at my craft, much like a singer, dancer, comedian, or actor. So I'm struggling to do my craft and I'm continually trying to learn to do it better. I think that's what's really been my secret.
From an acting standpoint, when I was a kid, I thought I knew everything there was to know. As the years go by, this craft becomes more intensive as I get older. You realize how much more there is to know and to learn, and how much better you can get, if you really work at it.
You don't learn charm. It's not something that you can acquire. I have used it much in my life with great success, but it's not necessarily what makes me an actor. It became a very easy label to attach to me. It also feels a bit dismissive. People go, 'You're so lovely and charming', but it's a wee bit, 'That's all you are.'
Do you know how much you can learn from a mere pair of high-heels? If you don't fall, you'll learn a bit, but If you do fall, you'll learn everything. If you become successful, you'll learn a bit, but if you fail, you'll get to learn everything. Success is the dumbest teacher, not the other way around
We learned out craft. Acting is a craft and you must learn it. I see a lot of talent today in the kids but they don't know how to work. They don't know the craft of acting and you can only get that on the stage in theater. You cannot learn how to act in movies or in television.
When I was at drama school some of the teachers, who were very wise, said to me, 'You're going to be a great actor in your 50s. Now, you're not malleable enough. You're doing one thing well but you need to loosen up a bit.' That happens to actors. You learn more about it and hopefully you get better at it as you get older.
A director, I forget who, told me that it takes 30 years to make an actor. And I believe that. You have to learn your craft, learn your trade - and also you have to live a life and experience things.
I have finished school and so it's becoming a real job, and as an actor, you cannot always just play roles. To me, it's important to live, to be who I am and then to get out of that, because when you play a role, it's always a bit of yourself. Okay, you can get some things, but that's why it's so important to gain life experience in order to act - it's important to care about this.
For me, it is about creating a career - I'm very interested in the sports side and want to continue to do more stuff in that. But ultimately, what I consider myself to be is an actor, and the more variety I can play will continue to round me out.
I work sometimes from outlines, which are immediately abandoned. Sometimes, when I'm trying to find the characters, I'll sketch things out a bit. Sometimes, outlines help me aim a little bit, but I tend to find it's usually much more interesting, especially with the first draft, to spew it onto the page. I used to get very nervous that, if I write this first rough draft and I die that night, whoever finds it might think that I thought it was good. For me, it's much more important to get some general shape onto the page and later take all the time I need to refine it, fix it, and rewrite it.
People always want to ask me about my dad. Which I get because he's a phenomenal actor, and that's for the world, that's out there. But my mother is every bit as impressive and as important for the world as my dad is. It's just that she's not an actor.
How I saw in her my own true nature. What was beneath my skin. Inside my bones... Even though I was young, I could see the pain of the flesh and the worth of the pain. This is how a daughter honors her mother. It is shou so deep it is in your bones. The pain of the flesh is nothing. The pain you must forget. Because sometimes that is the only way to remember what is in your bones. You must peel off your skin, and that of your mother, and her mother before her. Until there is nothing. No scar, no skin, no flesh.
If we get in an accident that's strong enough to break bones, it's going to break bones. What makes me a little bit higher risk is that if I break my right ankle again, I've got a bunch of screws and plates in there, and that would not be good.
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